Yakov Polonsky was born December 6 (18), 1819 in the city of Ryazan in the family of an official quartermaster. The poet's mother, Natalya Yakovlevna, was an educated woman - she read a lot, wrote down poems, songs, romances in her notebooks.

First, Polonsky received home education, and then he was sent to the Ryazan gymnasium. At this time, Polonsky read the works of Pushkin and V. Benediktov and began to write poetry himself. The gymnasium authorities instructed Polonsky to write congratulatory poems on the occasion of the arrival in Ryazan of the heir to the throne Alexander with the poet Zhukovsky. The venerable poet liked the poems of the young schoolboy, and he gave him a gold watch. It was in 1837, and the following year Polonsky graduated from the gymnasium and entered the Moscow University at the Faculty of Law.

At the University of Polonsky, like many other students, the lectures of Professor T.N. Granovsky. The young man met N.M. Orlov, son of a famous general, hero Patriotic War M.F. Orlov. In the house of the Orlovs, I.S. Turgenev, P.Ya. Chaadaev, A.S. Khomyakov, F.N. Glinka and others. At these evenings, Polonsky read his poems.

In 1844 Polonsky graduated from the university and soon graduated the first a collection of his poems - "Gammas", greeted favorably in the journal "Domestic Notes".

Autumn 1844 Polonsky moved to Odessa to serve in the customs department. There he lives with his brother, the later famous anarchist Bakunin, and visits the house of the governor Vorontsov. The salary was not enough, and Polonsky gave private lessons. Spring 1846. the poet moved to the Caucasus, where he was transferred by the governor M.S. Vorontsov. Polonsky serves in his office. Soon he also becomes the editor of the newspaper "Transcaucasian Bulletin".

In the newspaper, he publishes works of various genres - from journalistic and scientific articles to essays and stories.

Caucasian impressions determined the content of many of his poetic works. In 1849 Polonsky published collection "Sazandar"(singer (gr.)). Service in the Caucasus lasted 4 years.

In 1857 Polonsky went abroad as a teacher-tutor in the family of the governor N.M. Smirnova. However, the poet soon abandoned the role of teacher, since the absurd nature and religious fanaticism of A.O. Smirnova-Rosset hated Polonsky. He is trying to paint in Geneva ( 1858 ), but soon met with the well-known literary patron Count Kushelev-Bezborodko, who offered him the post of editor in the journal organized by him " Russian word". Polonsky accepted this offer. Before 1860 the poet edited the Russian Word, later became a secretary in the Foreign Censorship Committee, and three years later - a junior censor in the same committee. He held this position until 1896, after which he was appointed a member of the Council of the Main Directorate for the Press.

Polonsky was on good terms with Nekrasov, I. Turgenev, P. Tchaikovsky, for whom he wrote the libretto (“Vakula the Smith”, later “Cherevichki”), with A.P. Chekhov - he dedicated the poem "At the Door" to him.

In 1887 The 50th anniversary of Polonsky's creative work was solemnly celebrated.

Y. Polonsky died October 18 (30), 1898 Petersburg, buried in the Lgovsky Monastery. In 1958, the ashes of the poet were transported to Ryazan (the territory of the Ryazan Kremlin).

Polonsky wrote poems, poems, newspaper satirical feuilletons, published stories, novels and novels, acted as a playwright and publicist. But from the vast creative heritage its value is represented only by poetic works, lyrics.

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comes from the nobles of the Vilna district, was born in 1833. He graduated from the course of St. Petersburg University in the cameral (administrative) category. He served in the office of the Ministry of War, then in the office of the Minister of Public Education (under Kovalevsky and Golovin). knowing very well several foreign languages, Polonsky led the department of foreign policy in "Russian Invalid" (1861), " Modern Word"(1862 - 63), "St. Petersburg Vedomosti" (1864 - 65), "Voice" (1866 - 65), "Glasny Court" (1866) and "Son of the Fatherland" (1867). Placed in the "Library for Reading "(edited by Druzhinin, 1860) the article "Abuse and inability in the administration", in the "Russian Word" (1863) - the article "Poland and Spain". Polonsky he was the first to introduce in the "St. Petersburg Vedomosti" (1864 - 64) a weekly feuilleton of St. Petersburg life, which, after Polonsky's transition to the "Voice", was first conducted by V.P. Burenin, then A.S. Suvorin. These feuilletons Polonsky signed under the pseudonym Ivan Lyubich. Several articles he placed, about the same time, in the "Nedelya". When Vestnik Evropy began to appear monthly (since January 1868), Polonsky took over the department of "internal review" in this journal and conducted it until January 1880. The general direction of these reviews, which brought Polonsky a prominent position among Russian publicists, was liberal in the sense of the word that it had in the 70s. During the same time, he published many articles in Vestnik Evropy under the signatures: L.P., L. Aleksandrov and L-A-v, mainly on foreign literature ("Heinrich Heine", "Anthony Trollop", "Christmas Tales "Dickens," A. Lamartine "), as well as historical content ("Stefan Batory", "Huguenots in England", etc.), economic ("Exchange Olympus") and others. In 1873 and 1874, Polonsky compiled two volumes of an appendix to the Vestnik Evropy, called The Year (see Vestnik Evropy, VII, 649). The model for this edition was the "Annuaire", once attached to the magazine "Revue des deux Mondes". The Vestnik Evropy published Polonsky's talented novels: One Must Live (1878) and The Crazy Musician (1879), signed with the pseudonym L. Lukyanov; the first of them drew particular attention to itself. From January 1880 Polonsky began to publish his own political newspaper: "Strana", which at first came out twice a week, and from 1881 - three times and immediately took the place of an advanced skirmisher in the liberal political press. At first, Strana treated the management of Count Loris-Melikov with restraint, but soon, convinced by conversations with leading figures of that time, the editor of Strana began to be sympathetic to their intentions, although he kept himself completely independent and found their actions too slow. Supporting the main idea of ​​the new trend, "Strana" still remained an opposition organ. Under Count Loris-Melikov, she received two warnings: the first, on January 16, 1881, for an article about the need to pardon Chernyshevsky, the second - on March 4 of the same year, for an article about the events of March 1; At the same time, he received a warning from Golos for reprinting the Strana article and agreeing with it. "Strana" led a caustic, although restrained in tone, polemic with "Rus" and Slavophilism in general, and constantly defended the Old Believers. All editorials in Strana marked "Petersburg" were written by the editor himself. In Polonsky's story "The Thaw" placed in "Country" (1881), one can find some characteristics of that moment, as in the previous two stories partly reflected the public mood of the late seventies. In January 1883, the "Country" was subjected to a temporary suspension, with its submission henceforth to preliminary censorship. After the expiration of the term, it was not renewed (only at the end of 1884, one issue was published to preserve the right to publish for another year). From October 1884 to the end of 1892 Polonsky led "internal review" in "Russian Thought"; he also placed there, under his former pseudonym, the story "Anna" (in 1892), in which the fall of former hopes was reflected and the moment of the appearance of new people - "lucky ones" was noted. In 1891 Polonsky placed in the "Collection", in favor of the starving, published by "Russian Thought", the story "There is no money." In 1885 in the same magazine Polonsky published the beginning of a long essay about V. Hugo, and in 1888 - an article about the Polish poet Yulia Slovatsky. In 1893 Polonsky joined the journal "Northern Herald" and until the spring of 1896 led the department "Provincial Press" in it under the pseudonym L. Prozorova. In 1894 and 1895 Polonsky led the department of "internal review" and "political chronicle" in the same journal. In 1883, 1884 and 1895 Polonsky placed several articles in the "News" on educational and economic issues, some signed. Polonsky wrote in French; from half of 1881 to 1883 he was a permanent correspondent of the newspaper "Temps" in St. Petersburg; in the early 80s he wrote "Lettres de Russie" in the Parisian newspaper "Revue Universelle" and placed a translation of one of Saltykov's satires there. Since the end of the 80s Polonsky placed from time to time articles on Polish in the St. Petersburg newspaper "Kraj", and from the middle of 1896 he took a closer part in this newspaper. His article: "Mickiewicz in Russian Literature" is published in the "Mickiewicz collection" published by the editors of "Kraj". Polonsky's first fictional essays ("One Must Live", "The Crazy Musician", "The Thaw" together with two essays from Bernand) were published by him a separate book under the heading "Leisure". The story "We must live" was translated into French Mrs. Mickiewicz (wife of the famous poet's son) and published in the Revue Universelle. Polonsky he never cared about fame: the vast majority of his articles appeared without a signature at all, and some with constantly changing pseudonyms.

Sergei Polonsky is another well-known Russian businessman, whose life and fate may well serve as an example to follow. His entire biography is one endless upward movement. He climbed to the heights of the real estate business, in order to one day be at its very top.

But what effort did this rise to sky-high heights cost? This biographical article prepared by us, dedicated to one of the most successful entrepreneurs in modern Russia, will help you understand this.

Early years, childhood and the family of Sergei Polonsky

Sergei Polonsky was born on December 1, 1972 in Leningrad (St. Petersburg). His father was Jewish by nationality. Many other paternal relatives also belonged to this people. Despite this, in all other respects, the Polonsky family was the most ordinary Russian family. Sergey graduated general education school No. 99, and after that he went to serve in airborne troops Soviet army.

But in fairness, it is worth noting that the "Soviet" army did not remain long. In 1990, Sergei was drafted into the army, and a year and a half later Soviet Union sank into oblivion. Polonsky caught this moment in Kutaisi, where his landing brigade was located. Some time later, the troops were transferred to the Tskhinvali region, where for a long time they were at the very epicenter of the newly flared conflict between South Ossetia and Georgia.

Full video of the fight between Lebedev and Polonsky.

After returning to Russia, Sergei Polonsky began to make plans for the future. He managed to work in various industries, but soon decided to start his own business.

In 1994, together with his friends Arthur Kirilenko and Natalia Pavlova, our today's hero formed the Stroymontazh company, which was initially engaged in finishing work, but soon began to actively develop also in the field of construction. In 1996, the company took on the construction of its first contract house. This moment marked the beginning of a new chapter in the life of our today's hero.

Career of Sergei Polonsky in the world of business

By the end of the nineties, Stroymontazh became one of the largest players in the real estate market in St. Petersburg. In 2000, the company of Sergei Polonsky also began to develop the Moscow market. During this period, Stroymontazh implemented several extraordinary projects in the construction sector of the Russian capital, which earned respect among business partners and customers.

In 2004, the Moscow division of the Stroymontazh company, led by Sergei Polonsky, rebranded and became known as the Mirax Group. In turn, the St. Petersburg "Stroymontazh" remained with Artur Kirilenko, but went bankrupt six years later.

The affairs of our today's hero, in turn, always went much better. In the same 2004, the entrepreneur undertook the direct implementation of the Federation Tower project, which later became the main symbol of the Mirax Group, and at the same time of the whole of Moscow. In parallel with this, the company also implemented several other outstanding projects in the luxury real estate segment. Among these are the residential complex "Korona", "Golden Keys-2", as well as the business center "Europe-Building".

In 2005, Mirax Group made an attempt to enter the market of the Russian regions, but some time later they abandoned this idea. At that time, this decision was justified by the personnel crisis - the lack of required amount engineers, builders, architects, managers.

But two years later, when it came to markets European countries, the necessary staff was still found. The company began construction of "Astra Montenegro" - a "city-club" in one of the resorts of Montenegro, and also undertook the implementation of a project of a similar scale - "Le Village Royal" in the Swiss Alps. The projects were a great success, and soon Polonsky's company began to develop the markets of the USA (Miami) and the resort of Cambodia. After that, representative offices of the company also opened in Geneva and Hanoi (Vietnam). A major project has been launched in the UK.

The most shocking acts of Sergei Polonsky

However, the fate of the company was not always cloudless. In the late 2000s, the company was hit hard by the global crisis. Some projects have been frozen. In 2009, a Moscow court arrested the company's large assets in connection with the failure to pay off a debt to Alfa-Bank in the amount of $241 million. Subsequently, the debts were repaid, but due to financial problems and a shaky reputation, the company was forced to change its name to Potok.

In 2011, Forbes magazine included our today's hero among the most eccentric entrepreneurs in Russia. Widely known among the people is his phrase “Who does not have a billion, they can go to ...”, as well as the episode with eating their own tie as part of Sergei Minaev’s program “Minaev Live”. The last of these cases was associated with an erroneous forecast regarding the growth in prices for luxury real estate. Polonsky spoke of a 25% increase, noting that he would eat his own tie if he was wrong. Subsequently, it turned out that Sergei Yuryevich was a little mistaken in the forecast figures.

Among other interesting episodes from the life of a businessman, it is also worth mentioning the episode with the failed flight into space. For a long time, Polonsky was preparing for the flight, but later he was still forced to abandon this venture due to health problems.

In the summer of 2014, a criminal case was opened against Polonsky. The entrepreneur was accused of fraud (the case of the residential complex "Kutuzovskaya Mile") and embezzlement of funds from equity holders of the residential complex "Rublevskaya Riviera" (3.2 billion rubles disappeared). The court issued a ruling for the arrest in absentia of Sergei Yuryevich. Two years later, in May 2015, he was deported from Cambodia, where he had been living on his own island since 2012, and placed in the Moscow Detention Center No. 1.

Personal life of Sergei Polonsky

For a long time, our today's hero was married to yoga instructor Yulia Drynkina. In this marriage, three children were born - the daughters of Marusya and Aglaya, as well as the son of Mirax, to whom, as you might guess, Polonsky gave the name in honor of his company.

Despite the presence of common children, the first marriage of the entrepreneur broke up. For a long time (12 years), Sergei lived with a woman named Olga Deripasko (not a relative of Oleg Deripaska - namesake) in a civil marriage, but on June 1, 2016 they held a wedding ceremony, which took place in the Matrosskaya Tishina pre-trial detention center. Despite the specific nature of the place, the celebration took place according to all the canons: with a dress, rings, a wedding march and guests.

Sergey Polonsky: latest news

Sergei Polonsky has been in jail since May 17, 2015. The investigation into his case ended in November 2015. He was charged under the article "fraud in especially large size committed by a group of persons by prior agreement using their official position. Polonsky denied guilt, referring to his former partners. On June 10, 2016, by decision of the Moscow City Court, the arrest of Sergei Polonsky was extended until August 12 of the same year at the request of the investigator.

My fire in the fog shines;
Sparks go out on the fly.
No one will meet us at night;
We will say goodbye on the bridge.
The night will pass - and early in the morning
To the steppe, far away, my dear,
I'll leave with a crowd of gypsies
Behind the nomadic kibitka ...

After graduating from high school, he entered the law faculty of Moscow University. He lived in poverty, supported only by his grandmother - E. B. Vorontsova. If any money appeared, he spent it in a candy store, looking over fresh newspapers and magazines served by the owner over a cup of coffee. Due to the constant need to earn a living, he graduated from the university only in 1844. Then he released a collection of poems "Gamma", noticed by "Domestic Notes". “Polonsky possesses to some extent what can be called the pure element of poetry, and without which no clever and deep thoughts, no learning can make a person a poet,” wrote the critic. However, this slight success did not affect financial situation poet; in November of the same year he left for Odessa.

From 1846 Polonsky lived in Tiflis. He served in the office of the Caucasian governor M. S. Vorontsov and edited the newspaper "Transcaucasian Bulletin". In the same place, in Tiflis, a collection of poems "Sazandar" was published in 1849.

In 1853 he moved to Petersburg.

Living in the capital was not easy. Polonsky gave private lessons, for some time he served as a tutor in the family of the millionaire S. S. Polyakov. Married. Once, while rushing on business related to the birth of his first child, he fell off the droshky and was seriously injured. Several operations he underwent did not bring recovery, until the end of his life Polonsky used crutches. An even greater shock for the poet was the death of his wife, the daughter of the psalmist of the Russian church in Paris, Elena Ustyugskaya. With a difficult material life, the wife was an invaluable assistant to the poet - she herself fed and nursed the child. However, this was familiar to her, since she grew up in a large poor family and, being the eldest, nursed all her brothers and sisters in turn. Having lost his wife, Polonsky fell into despair. He tried to contact his wife through séances, but only poetry brought consolation to the poet. “According to your poems,” he once wrote to Fet, “it is impossible to write your biography, and even hint at events from your life ... Alas! .. According to my poems, you can trace my whole life ... "

Polonsky's poems were willingly published in Sovremennik, Otechestvennye Zapiski, Russkoye Slovo, that is, in magazines of the most opposite directions, often ideologically hostile to each other. This maneuvering between different camps interfered with the poet. But he himself explained this maneuvering in this way (in a letter to Chekhov): “Our great literary bodies like us, writers, to ask them to take us under their protection - and then they only favor when they consider us their, and all my life I was a nobody, in order to belong to everyone who needs me, and not to anyone ... "

In the late fifties, Polonsky edited the Russian Word magazine, then served as a censor in the Foreign Censorship Committee, and was a member of the council of the Main Directorate for Press Affairs. But the main place in his life was occupied by poetry. “What does it mean to finish a lyrical poem or, correcting verse by verse, to bring the form to the grace possible for it? he wrote. “This, believe me, is nothing else than trimming and bringing to the grace possible in human nature one’s own, this or that, feeling.”

“The blizzard has subsided. The path is illuminated. The night looks with millions of dull eyes. Put me to sleep, bell ringing! Carry me out, three tired horses!.. Isn't it my life! A little dawn on the glass begins to play with rays with frost, my samovar boils on an oak table, and my stove crackles, illuminating in the corner, behind a colored curtain, a bed! .. What a life! The motley canopy has faded, I’m delirious and don’t go to my relatives, there’s no one to scold me - there’s no one dear, only the old woman grumbles as the neighbor comes, because I have fun with him!

“How good it is! Dostoevsky wrote. – What painful verses these are, and what a fantastic resounding picture. There is only one canvas and only a pattern is outlined, embroider whatever you want ... This samovar, this chintz curtain - this is all native. It's like in petty-bourgeois houses in our county town.

AT last years, being already recognized, Polonsky held weekly “Fridays”, at which writers, artists, and scientists met.

“A large hall with windows overlooking two streets,” recalled Zinaida Gippius. - The entire length of the hall is a laid tea table (often, it happened, I think: and where did such a long tablecloth come from?) There are guests at the table. Dry, smiling hostess (Polonsky's second wife, Josephine A.). There is a piano somewhere near the windows, and in the very corner, above the plants, there is a huge white statue. Cupid, it seems. You can see her from everywhere, in the hall only she and this tea table. There are always a lot of guests, but not crowded, because the guests change: when new ones arrive, those who have finished tea get up and leave. They leave through the small living room to the study of the owner, who is never present in the hall. He sits in this rather narrow room, invariably in his place, in an armchair at the desk. I see this table and behind it, facing the door, a large angular old man - Yakov Petrovich. The seat is not very low. Polonsky sits cheerfully, stooping slightly. Nearby are his crutches. He does not have Pleshcheev's snow-white beard. The beard is neither short nor long, and he is all gray rather than white; all gray. Eyes terribly lively and a very loud voice. Now he shouts cheerfully, then he trumpets angrily or solemnly. Sometimes knocks with a crutch. A desk separates him from the guests who come into the office, and the guests sit right in front of Polonsky, on chairs or on a sofa against the wall. He speaks with everyone together, as if always a little from the stage. However, it happens that someone sits on a chair on the side, to talk closer ...

Polonsky willingly speaks about himself, about his poems. He tells what kind of words he created, the first to introduce into literature. If Dostoevsky dropped the word "shuffle", then he, Polonsky, created an "impenetrable" night. To tell the truth, these "new" words did not captivate me, they already seemed banal. The only surprise was the discovery that the word “subject” did not exist before Karamzin: he turned out to be its creator. Polonsky, when asked, read poetry with pleasure, and this happened often. He read curiously, quite in his own way. Just as, probably, I read it not on this home “stage”, at the desk, but on the real one, where I did not have to hear him. He read thickly, trombone, with an indescribable, frightening curl. His reading is in my ears, I can roughly "mimic" it, but I can't describe it. Pleshcheev and Weinberg read with the conditional pathos demanded by the then student. Reading Polonsky was different. At first it was funny, but then I liked it. “There is a form, but it is empty! Beautiful-ivo - but not beauty! These lines, not bad in themselves, significant, in any case, made a great impression in the thick growl of Polonsky. He recited his only poem, which was considered "liberal", in the same way: “What is she to me? Not a wife, not a mistress and not my own daughter. So why does her damned share keep me awake all night? I don’t know how it happened that another of his, truly beautiful poems, was not popular; and Polonsky himself did not read it (in my presence), and it seems that others rarely read it from the stage. I can easily imagine how thunderously Yakov Petrovich would have recited: “A writer, if only he is a wave, and the ocean is Russia, cannot but be indignant when the elements are outraged. The writer, if only he is the nerve of a great people, cannot but be struck when freedom is struck. But the “student” demanded that his name be “Forward, without fear and doubt”, he trusted only white beards, and what kind of poems, good or bad, he was in the highest degree don't give a damn.

Who just didn’t have to see Polonsky on Fridays! Writers, artists, musicians... Here are the hypnotist Feldman, and the weather forecaster Kaigorodov, and the narrator Gorbunov, and the Dostoevsky family, and Anton Rubinstein... At the annual monster party at the end of December, on Polonsky's birthday, there were so many curious people that, it seemed, "the whole of St. Petersburg" turned out its cherished bowels. The owner was sitting there, in the same place, at the desk, solemnly accepting congratulations. However, one day that day he advanced on his crutches into the hall; not for long, only while Anton Rubinstein, torn from playing cards and attacking the keys, tormented the piano with such anger and with such force, as if he were his personal enemy ...

All rooms are open and all are full of people. No dancing (and only one card table, especially for Rubinstein: no one was allowed to play cards on Fridays). The guests are all respectable, with high-ranking faces and even with stars ... The wife of gr. Alexei Tolstoy, gracefully ugly, under a black veil, like a dowager empress, smiles at those who are introduced to her ... I thought: but this is written to her: “In the midst of a noisy ball, by chance, in the anxiety of worldly fuss, I saw you, but your secret covered your features ...” Does everyone know that this ball is a masquerade, the “secret” is just a mask and it covered rarely ugly facial features ... "

“Creativity requires health,” Polonsky said to one of his friends. - Lombroso is lying that all geniuses were half-mad or sick people. Strong nerves are the same as the stretched steel strings of a piano: they do not break and resound from every touch, whether strong or weak. And he wrote, remembering his friend Fet: “... All the same light that we once lit does not go out for him even in the twilight of sunset, he sees night ghosts that lead their whispered argument in the forest near the pass, there myriads of stars swim without a cover, and the same the nightingales weep and sing."

Buried in Ryazan.

George Polonsky

Georgy Polonsky was born on April 20, 1939 in Moscow. While still at school, he began to write poetry, and at the beginning of his journey he dreamed of being realized as a poet. But having received a cautious response from Mikhail Svetlov, who suggested that "the young man would write prose," G. Polonsky did not publish a collection of poems either then or later. And yet, from his youth, he realized that the main thing for him would be literary creativity, and combined his first poetic and prose experiments with a passion for philology. In 1957, he even received the first prize at the Olympiad in Language and Literature, organized by Moscow University, and the award (multi-volume collected works of Leonid Leonov) was presented to the future playwright by the now famous linguist and literary critic Vyach. Sun. Ivanov. Naturally, a person with such interests as G. Polonsky deliberately chose the philological faculty of Moscow State University for admission. But at the exam, he was “bombarded”: an extracurricular question about what the journal Questions of History wrote about Trotsky could not be within the strength of the applicant, and the then dean of the philological faculty of Moscow State University, sadly remembered by specialists R. M. Samarin, simply kicked out the recent winner, trying to appeal.

Georgy Polonsky went to Minsk, entered the philological faculty of the Belarusian State University and, after studying there for a semester, transferred to the Moscow Regional Pedagogical Institute. Krupskaya. It turned out that in MOPI there is an interesting literary life: in the same years, Kamil Ikramov, Oleg Chukhontsev, Vladimir Voinovich started there. This electronic publication contains pages of memoirs of Georgy Polonsky about the comrades of his youth, fellow students and teachers.

In 1959, as a result of a chance acquaintance with Rolan Bykov, who was then the chief director of the Student Theater of Moscow State University, Georgy Polonsky, a student at Moscow State Pedagogical Institute, became the head of the literary part of this theater. The theater was just looking for a play about the time and how young people feel about themselves in this time, but the products of Soviet dramaturgy, as it seemed, could do little to help the team. Then the twenty-year-old zavlit decided to write the play himself. In 1961, Sergei Yutkevich staged a play called "My Heart Is One" (subsequently, the author was embarrassed by both this name and the excessive pathos of his lyrical drama) on the stage of the Student Theater of Moscow State University.

A young playwright who became a certified teacher of Russian, literature and of English language went to teach at the school. Perhaps the students considered him a very strange teacher: a few minutes before the end of the lesson, he said: "And now - poetry!" - and read Zabolotsky, Pasternak, Slutsky. Having decided for himself what to explain to the students within school curriculum not quite succeed, Polonsky preferred to do it in the language of poetry. While working as a teacher, he continued to try himself in prose: he wrote stories, and did not leave dramatic experiments. The performance based on his second play "Two Evenings in May" was released in 1965 on the stage of the Academic Theater. Moscow City Council directed by Yuri Zavadsky. In this thing, as in the first play, lyrical hero was a young man writing poetry. In general, poetry is present in most of Polonsky's works: his characters need poetry, both realistic and fabulous, like air - this is both an atmosphere for them and a way to live, see and understand others and themselves.

Georgy Polonsky did not consider himself a teacher by vocation and, having left school in 1965, he entered the Higher Script Courses in the workshop of one of the best playwrights of Russian cinema, I. G. Olshansky. The script for the film We'll Live Until Monday, directed by Stanislav Rostotsky, became Polonsky's graduation work. In the stuffy atmosphere of "twisting the ideological screws", after the Soviet tanks entered Prague, the film was accepted by the administrators from the cinema, passing through a huge number of discussions and nit-picking. At the delivery of the film in Goskino in the autumn of 1968, even before the discussion began, when the lights in the hall went out after the screening, a loud voice of one of the prominent officials was heard: "Here is the environment and soil of the Czech events." "We'll Live Until Monday" was saved by the fact that one of their children liked the picture shown at the dachas of the top leaders of the state. The premiere, which took place in 1969 at the VI International Film Festival in Moscow, brought the main creators the Golden Prize, and in 1970, at the initiative of the All-Union Congress of Teachers, the State Prize of the USSR.

This was followed by the plays "Escape to Grenada" (1972), "Drama because of the lyrics" (1975), "Tutor" (1978), "Quail in the burning straw" (1981), which went on the stages of Moscow, Leningrad, Novosibirsk, Kazan, Rostov and many other cities. At the same time, in the 70s, the TV films "Translation from English" (co-authored with Natalia Dolinina) and "Your rights?" (co-authored with Arkady Stavitsky), and the film "Key without the right to transfer", directed by Dinara Asanova, earned success with many viewers and was awarded the diploma "For the best screenplay" at the 1976 film festival in Poland. In the same years, the works of G. Polonsky were translated into German, Hungarian, Slovak, Chinese and other languages.

The playwright's last play, Short Tour to Bergen-Belsen, was completed in 1996. A version of the play was published in the journal Modern Dramaturgy, but she never saw the scene.

AT different time G. Polonsky appeared in the press as a publicist, comprehending the same moral, pedagogical, worldview problems that worried him as an artist. In one of the articles, he defended the importance for the school of a special humanitarian discipline, which he proposed to call "lessons of slow reading." These words served as the title of his last book, which was published after the death of the author: they largely contain the attitude that Georgy Polonsky professed in relation to literature, to creativity, and to life in general.

It is the intense attention to inner life man, so noticeable in the "school" and "youth" plays of the 70s, subsequently prompted the playwright to expand the range of plot motifs, to turn to new means of expression for him. In the period from 1979 to 1988, he writes fairy tales, addressed, in his words, "to adults who have not yet forgotten their childhood."

"Cinderella's Honeymoon" is a special fairy tale: it tells about the beloved Cinderella after the wedding with the prince, which neither Charles Perrault, nor the Brothers Grimm, nor Eugene Schwartz had ever experienced. No one has yet looked behind the curtain lowered at Cinderella's wedding ... Here such an attempt has been made. The fairy and her apprentice decide to return and check: what kind of happiness did they arrange for Cinderella?

"Do not leave ..." - a fairy tale about the kingdom, the throne of which is seized by a cavalry colonel, about the crown prince-poet, who spent many years in silence, about his love, about a wonderful flower - the Rose of Truth, about the struggle of the Poet and wandering actors against tyranny and the triumph of justice …

"Redhead, honest, in love" - ​​a remake of a children's fairy tale by the Swedish author J. Ekholm about the fox cub Ludwig XIV and his chosen one Tutta Carlson, a chicken. Leaving the plot basis of Ekholm, Polonsky rewrote the entire text and introduced new actors, endowing "animal" characters human psychology and making conflict dangerous.

The last two of these stories may be known to the reader from television adaptations by Leonid Nechaev.

Possibly, even in his realistic writings, Georgy Polonsky was a "storyteller" - not only because he composed and loved fairy tales, but in general, in terms of his attitude. He went not so much from real life how much of their own intuition and taste. There is almost no intentional evil in his works, but there are people convinced of their "rightness" and painful, conflicting clashes of their too different "truths", thanks to which the reader, and sometimes even the author himself, could understand something new about his own life.

In this world, a writer will no longer have a chance to experience the feeling expressed by him on behalf of one of the movie heroes with a formula that, as it now seems, has always existed: "Happiness is when you are understood ...". But there is hope that the reader will still experience this feeling over the pages.

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