How quietly blows over the valley
Distant bell ringing
Like noise from a flock of cranes, -
And in the sonorous leaves he froze.Like the spring sea in flood,
Brighter, the day does not sway, -
And hurry, be silent
A shadow falls across the valley.
Analysis of Tyutchev's poem "Evening"
The theme of natural sketches, which prevails in Tyutchev's lyrics, acquires a special interpretation: it is inseparable from the author's philosophical reflections. Landscape paintings, which serve as a source of thoughts and impressions, are presented in dynamics, confrontation, and transformation.
"Evening", the creation of which is attributed to 1825-1829, begins with the "signature" lexical anaphora "How". The function of a stylistic figure involved in different episodes of a poetic text is changeable: in the first line it conveys the author's interest, in subsequent lines it organizes comparison.
“Bell ringing” is the central image of “Evening”. The sound dominant is melodious and muffled: the source of the ringing is far away, and only its echoes reach the lyrical "I". It's interesting that sound wave like a breath of wind: it "breathes" over the open space of the "valley" and fades away, dying in the foliage of trees. The latter is endowed with an original epithet, which is also associated with a phonetic effect.
The first of the comparisons likens the distant ringing to "noise from a flock of cranes." The choice of the lexeme "noise" is indicative: in the author's version, it acquires an additional meaning associated with the pleasant, harmonious nature of the sound. "Noise" is a means of expressing the main acoustic image.
In the second quatrain, phonetic techniques are replaced by pictorial ones. The opening couplet reports the stillness of the surrounding nature. The calm of a fine day is compared to a flood spring waters. The final lines are dedicated to the coming evening: the appearance of shadows marks the arrival of twilight. The antithesis between day and evening landscapes is organized on the basis of passivity and activity. Unlike the unchanging, as if frozen picture of the day, the coming night brings a series of transformations. To characterize it, two adverbs are used in comparative degree: "hurriedly" and "silently."
The peaceful mood of the lyrical subject is reflected by the formal features of the poem: the classical size of the iambic tetrameter, the sound writing based on the vowels "o", "e", "i".
In the same period, another work appeared with a similar theme - "". The artistic space of this creation contains a night picture of the starry sky. Darkness and coolness bring a long-awaited "liberation from the heat" and a mysterious "sweet thrill" that embraces nature.
Evening is a word that evokes various associations. For some, this is a pleasant vacation, an opportunity to communicate with loved ones; for others - complete solitude, the opportunity to stay with their thoughts. Someone is waiting for the evening in order to go on a date, and someone needs to have time to do a lot of things in the evening. In any case, this twilight time of day is the most mysterious. And the expression itself: “See you in the evening!” - sounds loud and promises a lot.If we talk about natural nature, then evening is such a time of day when most plants fall asleep, and subtle changes take place around, sometimes not at all understandable to humans. It is not surprising that poets and prose writers are attracted by the mysterious time of day.
The work of Fyodor Ivanovich Tyutchev is not deprived of works that are dedicated to this particular time of day. You can count dozens of them. This is "Autumn Evening", and " Summer evening"... Tyutchev's work is great and diverse, and natural poetic studies are intertwined with philosophical thought. These works require a leisurely reading and study.
Evening
How quietly blows over the valley
Distant bell ringing
Like noise from a flock of cranes, -
And in the sonorous leaves he froze.
Like the spring sea in flood,
Brighter, the day does not sway, -
And hurry, be silent
A shadow falls across the valley.
Fedor Ivanovich Tyutchev
The author of the work "Evening" was born in 1803. All your own early childhood he spent in his father's house, which was located in the Oryol province. He did not go to specialized schools, but took a course of study at home. He was well aware of Latin and the ancient Greek features of the language. Almost from infancy, Fedor Ivanovich fell in love with nature. Later, in his works, he often reminded readers of this. His first teacher was a very famous person at that time who wrote poetry. His name was Semyon Raich. The teacher became very attached to the student, since Fedor was a worthy and smart boy. It was Raich who awakened in the poet a love for nature and poetry.
Tyutchev was homeschooled until the age of 15, after which he entered a university in Moscow. After graduating, he served in the Russian embassy and went to Germany, where he spent 22 years. Throughout this time, he wrote unforgettable and exquisite poems.
Analysis of the work "Evening"
Initially, it should be noted that in a short poem there are no epithets. The work was created back in the 26th year of the nineteenth century. It was at this creative time that the young diplomat Fyodor Ivanovich Tyutchev had just entered the specialized collegium for foreign affairs state plan. In the same year, he was sent for temporary residence and service in Munich.
The lyrical miniature presented to the reader contains almost the entire world of sounds ever produced by natural nature. Here it does not matter at all what kind of country the poet is trying to describe.
High-quality works with landscape lyrics are considered the main ones in the work of many poets, including Fyodor Ivanovich. Each created masterpiece of this author leaves a long and peculiar aftertaste after reading the work. The reader after reading the work for a long period of time imagines in his imagination the picture presented to him, which describes the greatness of a real and powerful nature. Such sensations are almost impossible to get after seeing it with your own eyes. The poem shows the reader a living canvas that allows you to understand and represent nature with the smallest details, with the smallest details.
The special difference of the poem "Evening" is not the landscape itself, but the many sounds made by natural nature. Here you can hear a distant bell ringing, but it does not rumble, but quietly blows across the expanse of the valley. In the reader's imagination, the whole width of the space immediately arises, which the lyrical hero is trying to convey to the person. This sound is presented so quiet that it can hardly be distinguished. It rather resembles the rustle of a flying flock of cranes, which fades in the easily audible rustling of foliage.
Fedor Ivanovich does not need to emphasize in his lines the time of the year, which is described in the work. Many individual components (these are both cranes and leaves) give the reader reason to assume that the poem is talking about the autumn season. The opposite is also present here, namely, when describing the spring sea, located in the flood. Here there is an association with the spring season.
The presented contradictions are specially created to emphasize the internal state lyrical hero in the work. The author presented to the reader precisely those sensations that are located deep in the soul and depend precisely on the mood and a certain life situation. Such lyrics are otherwise referred to as a philosophical direction based on reasoning about the life path.
In the second stanza of the work, the reader is presented with an observant, visual picture of what is happening. A clear and free sky is described here, which is compared in creation with the spring sea precisely because it is just as blue and carefree. It should be noted that such a space can only appear above a large and spacious area. That is why we can boldly take into account the version that natural nature in Germany, exactly where the poet temporarily lived, is practically no different from nature in Russia.
If you look at the presented sky from a different angle, it can be associated with a large distance that separates the author from his homeland. It is this perspective that gives rise to the idea in the imagination of the expanses of Russia, which are distinguished by their boundlessness. While writing the work, Tyutchev, according to many critics, experienced strong nostalgia for his native places. Thus, the young poet gave his lyrical hero a feeling of constant infinity, which Tyutchev himself could experience at a certain point in his life while living in the province of Orlov, where he spent his childhood years.
Particularly interesting are the last lines of the poem "Evening", which reveal a hasty, silent shadow that falls on nature. This is how the author tries to present the reader with the onset of evening time - quiet and calm, when everything around falls asleep.
It should also be noted that the onset of the time of rest does not change the present mood, which was monitored throughout the entire work. The lyrical hero is still calm and feels serenity. It doesn’t matter to the reader while reading what exactly calmness and tranquility are connected with.
The work "Evening" is written in iambic tetrameter. This method allows you to slowly enjoy the described sound. which is present in the poem.
There is an alternation of feminine and masculine rhymes in the work. This creates in the imagination a peculiar effect of the tide and the withdrawal of specific (described in the work) waves from the spring sea.
It should be noted that at all times, many leading critics reproached Fyodor Ivanovich for the fact that his works belong to "pure" artificial activity. Calls to write about the Motherland, about Russia constantly stirred up society. This was facilitated by the political situation in the world and Europe. Tyutchev, on the other hand, is a representative of "pure" art, who, instead of various social upheavals in society, still continues to write about the beauty of nature. Fedor Ivanovich continues to promote his main theme and does not evaluate the actions of politicians. He prefers to express beauty natural landscape, describe all the charms of the night moon and adheres to a romantic style.
Such preferences indicate that the author does not want to go with the flow and imitate revolutionary commitments. As a diplomat, Tyutchev, in general, always spoke out against any revolutions. And all his works, including the poem "Evening", the desire to introduce the reader to calm and serenity. This is the kind of poetry that can plunge into a world where there is only beauty.
How quietly blows over the valley
Distant bell ringing
Like the rustle of a flock of cranes,
And in the noise of the leaves he froze.
Like the spring sea in flood,
Brighter, the day does not sway, -
And hurry, be silent
A shadow falls across the valley.
1825-1826
Analysis of the poem by F. I. Tyutchev "Evening"
The poems of F. I. Tyutchev are called the poetry of thought, philosophy, love, and even cosmic consciousness. F. M. Dostoevsky respected Tyutchev, calling him the first poet-philosopher in Russia, who has no equal, except for Pushkin. Alexander Blok Tyutchev's poem "Two Voices" considered a symbol of his life, unbending faith.
In Tyutchev's poetry, the Universe opens up before a person. Chaos placed in the universe, the meaning of human life - a mystery beyond the mind, which the poet dreamed of unraveling. He understood the world as a primeval element. This is connected with the repeated appeal to the evening twilight and the "darkness of the night". The time when a person is alone with the eternal world. And the key to this world, its cradle is nature.
Fedor Ivanovich - an unsurpassed master landscape lyrics. Nature in his poems is inspired. She lives her own special life. This is a dramatic transition. There is a constant movement, dynamics, transformation, interaction of natural phenomena. In poetry there is an invisible thread between man and nature.
What does evening mean for a person? The day ends, you can't rewrite it again. Perhaps he was happy, full of emotions, events. Or vice versa - sad, many mistakes have been made. Summed up. Tomorrow will be a new day, which can be lived in a completely different way. He's like a blank slate. Sunset is a time of calm, harmony, humility. Subtle changes occur in nature that are rarely visible to the human eye.
F. I. Tyutchev has many poems dedicated to the evening time. One of them with the same name was born in 1825-1826. It was a difficult period in the life of the poet. He had just joined the State Collegium of Foreign Affairs and was sent to Munich. I must say that the trip was not a work necessity.
The young master began an affair with the serf girl Katyusha - a naive, bright, pure first love. The relationship of young people went so far that the young man's influential parents were forced to intervene and break the union. The nobles procured early graduation from the university and a trip abroad for their son.
The poet will spend all his youth abroad. Katyusha Kruglikova is the only love of the lyricist, who was not dedicated to poetry. But the reader can catch the sad trace of this feeling in the "Evening". The author does not use special tools artistic expressiveness. There are no epithets in the poem. It is rich not in images, but in sounds. The smallest details of what is happening are presented in an auditory background, which helps the reader to fully imagine the picture seen by the narrator.
Somewhere a bell is heard. It can be assumed that this is a blessing, since the sound is lonely, distant. He "breathes" over the valley. Brings peace, becomes a background for a picture of nature and heavy thoughts of the author.
The sound dominant is musical, melodious, heard only in the distance. Only echoes, peculiar shadows of sounds reach the lyrical hero. Here is the rustle of a flock of cranes. It cannot be heard, but we know that it is there. The rustling of the wings of flying birds, the rustle of falling leaves tell the reader about the arrival of autumn.
The second quatrain is figurative. Here we have a visual picture. Vivid metaphors and comparisons appear. The sky appears as the "spring sea". It is the same azure, boundless, endless. There is a feeling of boundlessness, boundlessness of space. The picture bears little resemblance to Munich, the Isar embankment. Rather, the image of the lost homeland, the Oryol province, where the poet grew up.
The poem leaves conflicting emotions after reading. The melodiousness, measured rhythm bring peace. But there are doubts, reflections, because the narrator does not know what the morning will bring him. He is a little confused.
As you know, Tyutchev had amazing gift describe nature and the phenomena that occur in it. He mastered the word so much that you involuntarily become a witness to everything that happens, as if you yourself see all these incredible pictures and admire the picturesque landscapes.
In his poem, the author describes a beautiful autumn time. Despite the fact that during this period nature fades, it is unusually beautiful and good. Like a skilled artist, Tyutchev talks about what changes are taking place in nature, how nature falls asleep before winter. At the same time, he does not describe all this in gloomy and rude tones, he sees in this some inexplicable charm and beauty.
Tyutchev also draws some kind of invisible thread between the human world and the natural world. He says that there is something in common between human feelings and natural. Nature appears before readers as a living being, which is also characterized by changes, feelings, thoughts and desires.
The size this poem- iambic tetrameter, thanks to this choice, the poem, like a drawn-out song, flows and shimmers.
Tyutchev's poem consists of many artistic techniques. These are personifications, and epithets, and even alliteration. Thanks to their competent use, the reader gets the impression that he himself is observing all these changes, the poem is so talented and amazingly written.
Tyutchev is an amazing poet and it is difficult to argue with this statement. How accurately he manages to convey all the natural subtleties and miracles that occur at this time. How vividly and colorfully he describes each a natural phenomenon whether it's the change of seasons or the breeze. At the same time, despite the approach of winter, he hints that heat will soon come soon, because nature, under the influence of time, is in constant cyclical motion. One time replaces another, perhaps that is why a certain quiet joy can be traced in each line.
Analysis of the poem Evening (How quietly it blows over the valley ...) Tyutchev
Many writers-poets are very close to the theme of the nature around them. Almost everyone has at least one work on this topic. Tyutchev Fedor Ivanovich is no exception among all other poets. The theme of nature is also inherent and very close to this famous and beloved by many writers. It is only worth noting that it was from this writer that the theme of various natural sketches was able to acquire a special, not quite ordinary interpretation, which made it possible to make each of his poems special and unique.
The poem "Evening" is also unusual and unique. The years from 1825 to 1829 are considered to be the years of its creation. Yes, yes, and you should not be surprised, sometimes writers wrote one poem for decades, because they believed that they had not fully disclosed main topic poems, and therefore it needs to be improved.
This work begins, so to speak, with the signature syllable of this writer "Kak". Moreover, it is worth noting that in this poem this preposition is used several times, and each in an absolutely different semantic context.
It is also impossible not to say that this poem is filled with a certain melody that persists throughout the entire work. In more detail, we are talking, of course, about the "bell ringing". Most experts and critics in the field of literature argue that when reading a poem, one can, as it were, hear given sound, which of course evokes certain thoughts.
In the second part of the poem, pictorial periods appear, that is, along with the sound of music and its melodiousness, the reader can explore the nature, which, of course, is in this poem.
In general, reading this poem creates a kind of peaceful mood that allows you to think about something high, dream and plunge into some non-existent reality, and as you know, this is a very, very useful activity, because during this process our inner world rests and relaxes.
Fedor Ivanovich, having created this poem, was able to fill it with life and bright colors, despite the evening time.
Analysis of the poem Evening (How quietly it blows over the valley ...) according to plan
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On this page, read the text "Evening" by Fyodor Tyutchev, written in (?) year.
How quietly blows over the valley
Distant bell ringing
Like noise from a flock of cranes, -
And in the sonorous leaves he froze.
Like the spring sea in flood,
Brighter, the day does not sway, -
And hurry, be silent
A shadow falls across the valley.
Other editions and variants:
How quietly blows over the valley
Distant bell ringing -
Like noise from a flock of cranes
And in the sonorous leaves he froze ...
Like the spring sea, in flood,
Brighter, the day does not sway -
And hastily, silently -
A shadow falls across the valley! ..
Note:
Autographs (2) - RGALI. F. 505. Op. 1. Unit ridge 6. L. 1 rev. and 2.
It is printed according to the first autograph (sheet 1 rev.) with the syntactic design of the second autograph (sheet 2). See "Other editions and variants". S. 229.
First publication - Galatea. 1830. Ch. XV. No. 22. P. 41, signed “F. Tyutchev”, censored note - May 27, 1830. Then - RA. 1879. Issue. 5. S. 124; NNS. S. 13; Ed. SPb., 1886. S. 35; Ed. 1900. S. 69.
Autograph (l. 1v.), l. 8°. Cursive on paper with watermarks "In Tolz", no corrections. In the upper left corner, pagination "10" in blue pencil by I.S. Gagarin. The poem has the author's title: "Evening". On l. 1 persons. autograph verse. "December 14th, 1825".
Another autograph (fol. 2), fol. 8°. Written in "ceremonial" handwriting. Has the author's title: "Evening". Above the title, pagination “30” in black ink by S.E. Raicha. In the upper left corner, pagination "107" by I.S. Gagarin. On l. 2 vol. autograph verse. "Noon" (L. G.).
The text of the poem on 2 is executed carefully and clearly, punctuation marks characteristic of Tyutchev are placed: a dash at the end of the 2nd, 6th, 7th lines, an ellipsis at the end of the 4th, an exclamation mark and an ellipsis at the end of the 8th line; author's signs convey incompleteness, duration of emotion, reticence, at the same time, the exclamatory intonation in the last line, combined with the picture of the silent movement of the falling shadow, is especially expressive and characteristic of the poet (cf. with the last line of the verse. "The stream thickened and dims ..." - “The key of the mysterious whisper!” (See commentary on p. 395) - an exclamation in silence, as if in a whisper.
The variant written on l. 1 v., not syntactically formalized, dashes are only at the end of the 3rd and 5th lines, a comma is at the end of the 2nd, there are no other author's signs at the end of the lines. Another version of the 3rd and 4th lines: "Like the rustle of a flock of cranes - / And he froze in the noise of the leaves." This option is more expressive: a “rustle” is more likely to be heard from a flying flock than a “noise”; the image of "sonorous leaves" also contains an exaggeration; the “in the noise of the leaves” option is simpler and more rigorous.
It is possible to presumably date "Evening" to the end of 1825 or 1826.
In Galatea, the first option is adopted (l. 2), here the 3rd line is “Like noise from a flock of cranes”, the 4th line is “and he froze in sonorous leaves! ..”. Tyutchev's dash at the end of the lines is preserved in the 2nd and 7th verses, the exclamation mark with an ellipsis - at the end of the 4th and 8th verses.
In NNS and subsequent Ed. 1886 and Ed. 1900 - the same variant (l. 1v.), which can be considered the second, but in the 6th line - "Lighter, the day does not sway", apparently, Tyutchev's neologism "does not sway" was not accepted. However, Tyutchev's syntax is largely preserved - in all the mentioned editions there are dashes at the end of the 2nd, 6th, 7th lines and added - at the end of the 3rd; expressive dots at the end of the 4th and 8th lines and an exclamation point at the end of the poem are not preserved. In Ed. 1900 features of Tyutchev's syntax are not reproduced.
