"The Shot" is a story that was included in the famous cycle of "Tales of the late Ivan Petrovich Belkin". This is the story of a hussar who cherished a plan of revenge for six years, but at the last moment changed his intention.

Summary of "Shot" for the reader's diary

Time and place of the plot

The story takes place in Russia in early XIX century. The exact place is not indicated, it is only mentioned that the events took place in a run-down provincial town, where there was not a single open house, not a single bride. The time period stretches for six years - that's how much main character hatched his plan for revenge. This story ended in 1821, when Silvio died in the battle near Skulyany.

main characters

The narrator is a nobleman, a young officer, brave, honest, principled.

Silvio is a vengeful, envious, ruthless man with a dark past, obsessed with plans for revenge.

The Count is a man spoiled by fate, possessing everything that is needed for happiness.

Countess Masha is a brave, determined young beauty.

Plot

The story is told on behalf of a young officer who, during his service, had the opportunity to meet and get close to a retired military man named Silvio. Being a very mysterious person and possessing a sharp temper and a sharp tongue, Silvio, like a magnet, attracted young officers to him, who spent time in his company with great pleasure.

One day, Silvio told the narrator that he intended to leave this place, and before leaving he would like to tell his secret. It turned out that six years ago he had received a slap in the face from a Moscow count. The hot young man could not stand such an insult, and challenged the offender to a duel. However, during the duel, having waited for the shot of the capital's dandy, Silvio did not pull the trigger of his pistol. Being an excellent shooter, he decided not to take away the life of the young rake, which he did not value at all. The enemy agreed with Silvio's decision and confirmed that he was always ready for his services.

For the next six years, the hero carefully nurtured thoughts of revenge. Practicing daily in shooting, he further improved his skills. When he found out that his offender intended to marry, he realized that his hour had come and went to Moscow.

A few years later, the narrator retired, and by chance ended up on the estate of a wealthy landowner. He drew attention to the picture with traces of two bullets. What was his surprise when he heard the continuation of the old story. It turned out that Silvio managed to meet with his offender. They cast lots, and the right to shoot first again fell to the Moscow nobleman. He fired and missed. His young wife Masha came running to the noise. Seeing the timidity and confusion on the face of his offender, Silvio did not destroy his family happiness, and shot at the place in the picture where the owner's bullet hit. Silvio then silently left the estate, never to be seen again. It was only by chance that the narrator learned that he died in one of the battles.

Conclusion and opinion

In his work, A. S. Pushkin described a strong, extraordinary personality, in which vices and noble features were miraculously melted. Not every person is ready to patiently wait for the right time for a decisive blow, however, such a long-awaited, cherished revenge did not happen - Silvio realized that his opponent was truly happy and changed his mind.

the main idea

Life acquires its true value only in moments of happiness, when it is terrible to lose what you value most in the world.

Author's aphorisms

“... What good is it for me, I thought, to deprive him of his life when he does not value it at all? ..”

“... I have little respect for outside opinions ...”

“... You will remember me. I commit you to your conscience…”

“... I wanted to appear cheeky, but the more I tried to put on an air of ease, the more I felt awkward ...”

“... Lack of courage is least of all excused by young people, who usually see in courage the height of human virtues and an apology for all kinds of vices ...”

Interpretation of obscure words

Place- a village in the form of a town, one of the types of settlements.

Hussar- a military member of the light cavalry.

frock coat- a long, usually knee-length, single-breasted or, more rarely, double-breasted piece of men's wardrobe, usually fitted.

Shandal- heavy candlestick

New words

Punch- the collective name for cocktails, primarily alcoholic, usually containing fruit or fruit juice.

Uniform- military or civilian uniform ceremonial outerwear with gold or silver embroidery.

Epigram- a small satirical poem ridiculing a person or social phenomenon.

Story test

Rating of the reader's diary

Average rating: 4.6. Total ratings received: 374.

"Shot" analysis of the work - theme, idea, genre, plot, composition, heroes, problems and other issues are disclosed in this article.

Work "Shot" is included in the cycle of Pushkin's first prose collection entitled "The Tales of the Late Ivan Petrovich Belkin". It was written in the productive period of the poet's work - Boldin autumn. Pushkin completed work on The Shot on October 14, 1830, and the entire cycle was first published in St. Petersburg in 1831.

The story has a complex structure. It involves three narrators: Lieutenant Colonel, Count and Silvio. The fates of these people are intertwined, and the reader learns about the events from the point of view of different characters. This approach helps to reveal heroes images most objectively.

The story consists of two parts. In the center of each is a duel shot. The first part is dedicated to the personality of the protagonist - Silvio. First, the lieutenant colonel talks about him, then the hero himself describes the events that make up the plot of the work. The reader will learn about the duel between Silvio and the Count from the narration of the latter.

In the second part of The Shot, the central figure is the count. The initial characterization, as the future neighbor of the lieutenant colonel, is given to him by Silvio. Then the lieutenant colonel himself shares his impressions of the new neighbors. At the end of the story, the count tells about the last meeting with Silvio, which took place during a duel. The events in "The Shot" constantly alternate with the memories of the characters, but this does not interfere with the perception of the work, the story is surprisingly easy to read.

Literary critics point to an interesting device used by Pushkin. At first glance, the work seems to be filled with romantic clichés. There is a mysterious hero with an intriguing name here. He is a former hussar, a great shooter. Jealousy, envy, revenge, a slap in the face, a duel, hatred, and even the heroic death of the protagonist are also present in the plot. But then it turns out that the romantic atmosphere of the story is just a beautiful candy wrapper. In fact, the work is deep realistic, and even with elements of the poet's autobiography.

Researchers of Pushkin's creativity believe that image of Silvio has its prototype. This is the well-known duelist and well-educated linguist Liprandi, whom Pushkin met during his exile in Kishinev. Liprandi, however, was not a hussar, but was related to military intelligence.

Episodes with a shot through cap and cherries at gunpoint are facts from the biography of Pushkin himself. In Chisinau, during a duel with Zubov, the young poet ate cherries and spit out the seeds. The new hat of Pushkin's second Delvig was shot by Kuchelbecker. Hurt by the ridicule of Alexander Sergeevich, he accidentally pulled the trigger. Delvig miraculously survived.

It is known that in his youth Pushkin was very fond of the romance of duels. He has about thirty fights to his credit. Most of them fall on the Chisinau period. Pushkin shot perfectly, from twenty paces he put another bullet into the previous one. Such an episode is also described in the story "Shot".

The images of the two opponents (Silvio and the Count) are similar in many ways. Both combine "youth, intelligence, beauty, the most frenzied gaiety, the most careless courage". The reason for Silvio's envy lies in poverty and not so noble origin. He hates the opponent who suddenly appeared and pushed Silvio off the podium.

Characters of heroes revealed in dynamics, which is contrary to tradition romanticism. This manifested the author's changed attitude to the ideals of turbulent youth. Mature Pushkin, like his characters in the second part of the work, understands the value of human life. Silvio does not kill his opponent. It is enough for him to amuse his pride, to see fear in the eyes of his opponent. Gradually, an image appears before the reader, far from honest and noble romantic hero. The features of the mysterious, gloomy, generous and proud daredevil Silvio are complemented by malice, revenge, the desire to win at any cost. He lacks elementary decency to save the young wife of the count from the painful sight. The image of Silvio evokes different feelings in readers. Some consider his actions correct and fair, others are disappointed, indignant. There is no consensus among literary critics.

The scheme of the romantic work is finally destroyed in last sentence, which refers to the death of Silvio. Pushkin, albeit indirectly, indicates the place and date of this tragic event. The image of a brave and proud duelist finally acquires real features.

The author's skill was manifested not only in the skillful use of romantic surroundings for philosophical reflections on honor and the meaning of life. Plot dynamics, richness literary language and the inconsistency of the actions of the main characters constantly riveted the attention of readers to the story "The Shot".

In this article, the Literaguru team will analyze Alexander Sergeevich Pushkin's story The Shot, which is part of the Belkin Tale cycle.

The story "Shot" was written in 1830 in the village of Boldino. The work consists of two parts. It is interesting to note that initially Pushkin did not want to write the second chapter - having finished writing the first, he made a note: "The ending is lost." However, two days later the writer creates a continuation of the story, and the work takes its final form on October 14, 1830.

The story "Shot" became the fourth in a series of "Belkin's Tale". It was based on real case from the life of A. S. Pushkin, when the latter was challenged to a duel by his acquaintance, officer Zubov. Alexander Sergeevich was called by his friend to a duel, as the poet accused Zubov of dishonest playing cards. During the satisfaction, when the enemy took aim at him, Pushkin calmly ate cherries (later this moment will be reflected in the text of the story).

Genre, direction

As already mentioned above, this work belongs to the genre of the story, literary direction- realism. The hero Silvio at first appears before us as a romantic character, but by the end of the work we understand that we have not such a simple character as it might seem at first glance. The courage of his actions, liveliness and audacity in making decisions give out the ardent disposition of the hero, which indicates his belonging to a realistic direction.

The genre of the work is a story, this is indicated by the volume of the book and the number of storylines in her.

essence

The narration is first conducted on behalf of Lieutenant Colonel I.L.P., then the retired hussar Silvio acts as the narrator, and then the count. I. L. P. describes to us the life of an army officer, which, in its cyclical nature, is not able to surprise a simple soldier. Among the acquaintances of the hero, a certain Silvio stood out, a well-aimed shooter, whose life was to some extent shrouded in mystery - no one knew either his income or fortune. At the same time, he had a rich collection of pistols at home, and the walls were riddled with bullets like honeycombs. He was a generous host - champagne always flowed like water in his house, and dinner consisted of two or three courses. Once, during one of these feasts, the guests persuaded Silvio to sweep the bank for them, which the hero usually did not like. Reluctantly, he agreed. At some point, officer R*** recently transferred to the regiment bent an extra corner, which caused discontent of the owner, and subsequently irritated R***, who threw a candlestick (shandal) at Silvio. The enraged man drove the offender out of the house, however, surprisingly, this case did not end in a duel.

I. L. P. is outraged by such a calm behavior of a friend, but in the end it turns out that Silvio needs to settle scores with one person - the future count, who at one time pressed the hussar, overshadowed him with his charm, intelligence, beauty and, therefore, became his rival . Having said flat rudeness to the enemy, Silvio provoked the count, and he slapped him in the face. In the end, a duel was scheduled.

In the duel, the count got the first shot, with which he managed to pierce the hussar's cap. But when the turn of Silvio came, the count behaved unceremoniously - he ate cherries and spit out the bones. This carelessness angered Silvio, and he postponed the duel until another time. Later, I. L. P. learned the continuation of this story from the count himself, who turned out to be a neighbor of the narrator. Silvio appeared to the count during his honeymoon and threatened to kill him. In fact, the hussar only wanted to frighten the count, show him his superiority and that it is necessary to respect the conditions of the duel, and to know that sooner or later he will have to answer for his insolence. Maybe, decisive role here the request of the count's wife, Masha, played.

We see a deep transformation of the hero - from a romantic he turns into a real realist, ready to take a sober look at things and not afraid to achieve his goal - to put the offender in his place. At the end of the story, we learn that Silvio died a heroic death in the battle of Skulyany.

Main characters and their characteristics

The three main characters of this story - a lieutenant colonel, a count, a retired hussar - are at the same time its narrators. The central figure, of course, is the figure of Silvio. Waiting for an opportunity to avenge the insult to the count and regularly exercising in shooting, the hussar begins to see clearly only at the moment when, once on the territory of the enemy’s estate, the count again gets the first shot, and he pierced the picture hanging over the guest’s head with a bullet.

According to G. Makogonenko, there is a moral renewal of the hero; he understands how vulgar and low was his desire to kill a lucky opponent. The Count, in turn, at that moment must have appreciated how wrong he was, and that revenge is not the main objective in life. The lieutenant colonel acts as a kind of observer of the life of two people competing with each other.

Topics and issues

The story touches upon an important problem - defending one's own honor, restoring a good name in the eyes of others at the cost of murder. Is it worth it? The author answers unequivocally: honor is not worth a person's life.

the main idea

The point of the book is simple: you don't have to be cruel to prove yourself as a brave officer. One must act honorably, be noble, and at the right time be able to spare even the worst enemy, leaving him to his conscience.

According to G. Makogonenko, Silvio is alien to humility. For the hero, there is a more important goal in life - the battle for the freedom of the Greeks. A high goal contributes to spiritual renewal, enrichment of the individual. Revenge replaces generosity. This is what it consists the main idea story.

What does it teach?

The work teaches nobility, composure in actions, the ability to restrain yourself in difficult situations, where everything can get out of your control.

Giving free rein to your ambition is appropriate during the battle on the battlefield, but when communicating with people - whether it be your inner circle or colleagues - you need to find a middle ground in everything.

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The protagonist of the story "The Shot" is a retired military man, whom the author calls the name Silvio. The army officer, on behalf of whom the story is being told, met Silvio in a provincial town where their military unit was located. Silvio often invited the officers of the unit to his place for dinner. The narrator noticed that all the walls in the house where Silvio lived were littered with bullet holes. His passion was pistol shooting and he was known as a marksman. With all this, Silvio avoided participation in duels, which were generally accepted in those days. Even when Silvio had a conflict with one of the newly arrived officers, he refused to shoot himself and was content with the apology of the offender.

One day Silvio received a letter and announced his departure. The narrator was to some extent friendly with Silvio and he told him that in his youth he had a duel with a young and rich rake. He fired first and jokingly shot through Silvio's cap on the head. Since the shooter of Silvio showed every kind of contempt for death, he did not fire back that day. And now Silvio learned from a letter that his offender was going to get married, and he decided that this was the right moment to fire back and fully avenge a long-standing offense.

Silvio left and the narrator never saw him again. A few years later, he met one count, who turned out to be Silvio's offender. He told the continuation of that long history. The count had already married by that time and lived on his estate. Silvio appeared to him and demanded the continuation of the duel. At the same time, he stated that he could not shoot an unarmed person. They cast lots, and it fell to the earl to shoot first. The Count fired and missed. Then Silvio began to aim at him, but at that moment they were prevented by the count's young wife. She began to ask for an end to the duel, and Silvio left the count's house without firing at him. After some time, the count learned that Silvio had died in one of the wars.

Takovo summary story.

The main idea of ​​the story "Shot" is that a person who harbors a grudge can wait for years for the moment to take revenge on his offender. Sometimes plans for revenge occupy all his thoughts and become the goal of life. The story "The Shot" teaches us not to succumb to feelings of resentment and the desire for revenge, which can destroy a person's life.

In the story, I liked the count's wife, who bravely intervened in a senseless duel. Through her actions, she contributed to the fact that Silvio abandoned his revenge.

What proverbs are suitable for the story "The Shot"?

Everyone has their own resentment.
He who plots vengeance irritates his wounds.
Forgiving enemies is a wonderful feat.

The Belkin Tale cycle was created during the Boldino Autumn in 1830. This was the period when, due to the onset of cholera, quarantine was announced for entry and exit to St. Petersburg and Pushkin was forced to spend the entire autumn until the end of quarantine at the Boldino estate. The stories were published in 1831. The publication was anonymous, that is, Pushkin attributed authorship to a certain Belkin. The cycle consists of five stories, which, allegedly, were once told to the author by the late Ivan Petrovich Belkin. These are the stories: “The Young Lady-Peasant Woman”, “The Undertaker”, “ Stationmaster”, “Snowstorm” and “Shot”.

The idea of ​​the cycle is that the author showed all the floors of Russian society, from top to bottom. Here everything is stated concisely and simply, there is not a single superfluous word. Pushkin does not explain the actions of his heroes, much less indulges in lengthy explanations of the motives for their actions. Nevertheless, the reader perfectly understands the motives of the actions of his heroes, with their advantages and disadvantages.

The characters of the stories are not bright individuals, like most of Pushkin's heroes. They are typical representatives of their environment. In the foreground they have a household side. But Pushkin's construction of the story, the development of the plot, the climax and happy denouement keep the reader's interest throughout the story.

Analysis of works

Shot

The plot of the story is quite simple. The hero of the story, Silveo, being a remarkable nature in everything that concerned the hussar daring, hated his no less worthy young rival. It came to a duel, during which his opponent showed such indifference to death that Silveo did not shoot, reserving the right to shoot. For many years he waited for the right opportunity for revenge, until finally he received the news of the marriage of his enemy. Appearing to him with a demand to realize his shot, he received complete satisfaction by humiliating him in front of his wife. In parting, he quite accurately shot at the picture, leaving a hole in it, which served as an occasion for memories.

The protagonist of the story is a personality, of course, strong and outstanding. But, all his virtues fade against the background of his envy of a more successful opponent. Envy, as you know, a man, especially a hussar, does not paint in any way. His dignity fades even more from petty vindictiveness. These qualities are all the more aggravated when he terrifies the count's wife by aiming at him. However, at the last moment, something stops him from killing. I think that the true reason is not so important, something else is more important, a person did not kill another person. It is quite possible that at this moment true human feelings woke up in the main character.

Such an ending is characteristic of that Pushkinian spirit, which gives so much spiritual warmth to Belkin's Tales. He convinces the reader without too much pathos to believe in the triumph of "good feelings" over the stupid and useless rules of society. The nobility of Silveo may seem spontaneous, but it is the quality of the soul that originally lived in him.

Blizzard

A kind of play of situations. Fatal and happy accidents, which play an important role in the story. The romantic heroine of the story, Marya Gavrilovna, agrees to a secret marriage with Vladimir, who was rejected by her parents. As a result of a fatal accident, more precisely because of a strong snowstorm, the heroine marries an unknown hussar. Vladimir goes to war with Napoleon and dies. As a result of a chain of happy accidents, the story comes to a happy ending.

In the characterization of the main character, the author immediately notes that she was brought up on French novels, which is why she is in love. It is possible that she liked Vladimir because she had read novels. This already testifies to the frivolity of her character, as well as to her romanticism. Vladimir does not lag behind Maria at all. Such a romantic. He is inclined to dream of a secret wedding, after which, in his opinion, the parents will be touched and will give them their blessing. His reasoning is somewhat reminiscent of one of the Gogol's heroes, Manilova. When circumstances call for action, he is, by and large, incapable of anything.

The author does not hide his ironic attitude towards the characters with their passion for romantic fashion. But when war comes into play, things change. Any war opens the souls of people, leaving only the true. Romantic Vladimir dies heroically, becomes a hero. Burmin, for fun, married to an unknown girl, now looks at it differently and is looking for his unknown wife in order to marry his beloved. The best pages of the story are a description of the blizzard, the main character of the story, who played a fatal role for Vladimir and a happy one for Marya Gavrilovna and Burmin.

Undertaker

Here we find ourselves in an environment of merchants and artisans. The main characters here are the undertaker Adrian Prokhorov, his daughters and friends. Heroes are not preoccupied with romantic fantasies, they firmly walk the earth and solve earthly problems. Such as the upcoming rich funeral of the merchant Tryukhina, which may be intercepted by competitors. The death of a person for such as an undertaker is just an opportunity to earn money. Even in his sleep, he views his dead clients only in terms of their profitability. In the dead who came to visit Adrian, the author vividly reflected the social relations that existed at that time in society.

Pushkinsky small man- this is the progenitor of Gogol's Akaki Bashmachkin. An official who can be beaten by noble passers-by. Confident that his daughter Dunya, stolen by a passing hussar, is abandoned by him, wishes her death. However, the opposite is happening. Hussar Minsky, who turned out to be a worthy man, married Dunya. The father's expectations were not justified, his daughter became rich and noble. However, the sophisticated reader understands that Samson Vyrin still lost his daughter. Vyrin's world and Minsky's world are separated by a huge pit, which he is unable to overcome. Dunya was able to step over it without hesitation only thanks to her blind love for Minsky and female spontaneity.

However, she did not have the courage to go further and step over the rules of the "decent" society in which she found herself. In fact, she abandoned her father. Her subsequent visit to the grave of her father is just an attempt to calm her conscience. If the end would have been as Vyrin suggested, then another story would have come out about an unfortunate gullible girl and a scoundrel-seducer, of whom there were many at that time. However, Pushkin is much deeper and more realistic. It would seem that the happy ending of the story leaves a tragic aftertaste.

young lady-peasant

it last story cycle. In many ways, it resembles a vaudeville story with dressing up. The characters here are also romantic, but their romanticism is born not from French novels, but from their natures. In addition, the romanticism of the heroes is active. They are fighting for their happiness, Alexei is ready to make a sacrifice for the sake of his beloved and give up his father's fortune.

The heroine of the story, Lisa, the daughter of a wealthy gentleman, disguised as a peasant woman, meets Alexei Berestov in the forest and the young people fall in love. Aleksey, sincerely considering Liza-Akulina a peasant, decides to marry her, despising social prejudices. Decent solution for young man, must be admitted. Characterizes him from the very better side. Respect for him is especially enhanced when he is ready to give up wealth for the sake of his beloved girl. This characterizes him not only as an honest and noble person, but also a brave one. The masquerade image of Liza helped to reveal the true feelings of the heroes when ordinary Russian people opened up in them.