Tolstoy, War and Peace. The life path of Andrei Bolkonsky. L. N. Tolstoy, “War and Peace Marriage to Natasha Rostova

life path Pierre Bezukhov in the novel "War and Peace": the spiritual path of quest, life story, stages of biography

The path of Pierre Bezukhov's search is a complex, winding path. In his life, Pierre goes through many trials: the death of loved ones, war, captivity, etc.

Origin of Pierre Bezukhov

At the beginning of the novel, Pierre Bezukhov is 20 years old (in 1805): "... abroad, where he stayed until the age of twenty..."

Pierre is the illegitimate son of the wealthy Count Kirill Bezukhov: "... After all, he only has illegitimate children. It seems ... and Pierre is illegitimate ..."

Pierre barely knows his father. Pierre has been living abroad without a father for 10 years. There he receives an overseas education. Abroad, Pierre is brought up by a tutor: "... a father whom he almost did not know..." "... That's all the education abroad brought to ......" "... Pierre from the age of ten was sent abroad with a tutor-abbot, where he until the age of twenty...

Pierre's return to Russia

20-year-old Pierre returns from abroad to Russia (volume 1 part 1): "... Pierre from the age of ten was sent abroad with the tutor-abbot, where he stayed until the age of twenty ..."

Returning to Russia, Pierre leads a dissolute life: " ... stop going to these Kuragins, leading this life. So it doesn’t suit you: all these revels, and hussars, and that’s all ... "" ... Pierre lived with Prince Vasily Kuragin and participated in the wild life of his son Anatole ..."

Pierre Bezukhov does nothing. He doesn't know who he wants to be. His journey of discovery is just beginning: "... I just don't know what to start..." "... Pierre did not have time to choose his career in St. Petersburg..."

Pierre Bezukhov - Andrei Bolkonsky's best friend. They have been friends since childhood. "... said Prince Andrei. - I have known him since childhood ..."

Inheritance and marriage to Helen Kuragina

After the death of his father, Pierre receives a huge inheritance (volume 1 part 1): "... Pierre, having become unexpectedly rich and Count Bezukhov ..."

With the help of Prince Vasily, Pierre receives a place in the diplomatic corps and the rank of chamber junker (volume 1 part 3): "... you are enrolled in the diplomatic corps and made a chamber junker. Now the diplomatic road is open to you ..." (the rank of chamber junker belonged to a high, V class in the "Table of Ranks" at that time)

The cunning Prince Vasily brings Pierre together with his daughter Helen Kuragina. Prince Vasily almost forces Pierre to marry Helen (volume 1 part 3): "... he was married and settled, as they said, the happy owner of a beautiful wife and millions in the large St. Petersburg, newly decorated house of the Counts Bezukhovs ..."

Breaking up with Helen

There are rumors in society that his wife Helen is cheating on him with Dolokhov (volume 2 part 1): "... this morning the anonymous letter he received, in which it was said with that vile jocularity, which is characteristic of all anonymous letters, that he does not see well through his glasses and that his wife's connection with Dolokhov is a secret only for him ... "

At one of the evenings, Dolokhov insults Pierre. Pierre challenges Dolokhov to a duel. In a duel, Pierre wounds Dolokhov, but he himself remains unharmed: "... You ... you ... scoundrel! .. I challenge you," he said and, moving his chair, got up from the table ... "... And I shot at Dolokhov because I considered myself insulted ..."

After the duel, Pierre breaks off relations with his depraved wife Helene. Pierre leaves Helen for Petersburg: "... the whole clue was in that terrible word that she was a depraved woman: he said this terrible word to himself, and everything became clear! .." "... He hated her and was forever broken with her ..."

Pierre and Freemasonry

Pierre is unhappy because of his failed marriage. He does not believe in God and is disappointed in life: "... I must tell you, I don't believe, I don't ... believe in God," Pierre said with regret and effort, feeling the need to tell the whole truth..." "... Yes, yes, I'm unhappy," Pierre confirmed "But what am I to do?"

On the way to St. Petersburg, Pierre meets the freemason Bazdeev. He inspires Pierre to become a Freemason: "... The passerby was Osip Alekseevich Bazdeev<...>Bazdeev was one of the most famous Freemasons..."

Pierre hopes to find happiness in Freemasonry. In St. Petersburg, Pierre enters the Masonic lodge (volume 2 part 2 chapter IV): "... Pierre<...>with the delight of renewal, imagining his blissful, impeccable and virtuous future, which seemed so easy to him ... "... The next day after being accepted into the box, Pierre was sitting at home ..."

After joining the lodge, Pierre does business on his estates (volume 2 part 2 chapter X): "...Shortly after his admission to the brotherhood of Masons, Pierre, with a complete guide written by him for himself on what he was supposed to do on his estates, left for the Kyiv province, where most of his peasants were ..."

However, Pierre only pretends to take care of his estates. In fact, Pierre does not improve the life of the peasants: "... All those enterprises on estates that Pierre started at home and did not bring to any result, constantly moving from one thing to another ..."

Returning from the villages, Pierre becomes the head of St. Petersburg Freemasonry: "... About two years ago, in 1808, returning to St. Petersburg from his trip to the estates, Pierre involuntarily became the head of St. Petersburg Freemasonry ..."

Pierre travels abroad on Freemasonry matters and returns to Petersburg: "... And therefore, at the end of the year, Pierre went abroad to initiate himself into the highest secrets of the order. In the summer, back in 1809, Pierre returned to St. Petersburg ..."

Pierre is back with Helen

Soon Pierre begins to live with his wife Helene again. Helen shines at balls and is liked by men (volume 2 part 3 chapter VIII): "... I live again with my wife..."

Pierre perceives Helene as a cross that he must bear. Life with Helen makes Pierre unhappy, but he decides to carry this cross. Suffering makes Pierre develop internally: "... In Pierre's soul, complex and difficult work has been going on for all this time internal development which revealed much to him and led him to many spiritual doubts and joys..."

Pierre enters the service - on the advice of his Mason benefactor: "... I got up at eight o'clock, read the Holy Scriptures, then went to the office (Pierre, on the advice of a benefactor, entered the service of one of the committees) .."

Apparently, Helen Bezukhova is cheating on Pierre with the prince. For this, Pierre receives the rank of chamberlain. Pierre is ashamed of this promotion, but he resigns himself: "... about the time of the prince's rapprochement with his wife, Pierre was unexpectedly granted a chamberlain, and from that time on he began to feel heaviness and shame in a large society ..." (rank of a chamberlain - IV class in the Table of Ranks)

The death of a benefactor and a wild life

Pierre's mentor in the Masonic lodge, Joseph Alekseevich, is dying. At the same time, Natasha Rostova is engaged to Andrei Bolkonsky. Pierre stops seeing Natasha, who is dear to him. All these losses shock Pierre. His life loses its meaning "... after the engagement of Prince Andrei with Natasha and after the death of Joseph Alekseevich, about which he received news almost at the same time, all the charm of this former life suddenly disappeared for him ..."

After the death of the benefactor, Pierre "falls": he drinks a lot and leads a wild life. Then he leaves for Moscow: "... He stopped writing his diary, avoided the company of his brothers, began to go to the club again, began to drink a lot again, again became close to single companies<...>in order not to compromise his wife, he went to Moscow..." "... Pierre was that retired, good-naturedly living out his life in Moscow chamberlain, of which there were hundreds..."

Patriotic War of 1812

Pierre lives in Moscow. In 1812, the war with Napoleon begins. Pierre goes to the front to participate in the battle (volume 2 part 5): "... Pierre explained his intention to participate in the battle and inspect the position..." Pierre is captured by the French (volume 3 part 3 chapter XXXIV): "... Four weeks have passed since Pierre was captured. .."

While Pierre is in captivity, his wife Helene dies unexpectedly: "...Countess Elena Bezukhova suddenly died..."

Life in French captivity changes Pierre's views and values. He becomes a mature, self-confident, wise man: "... He became somehow clean, smooth, fresh; as if from a bath, you understand? - morally from a bath. Really? .."

Marriage to Natasha Rostova

After the death of Andrei Bolkonsky, Pierre becomes close to Natasha Rostova. Soon they get married (1st part of the epilogue): "... The wedding of Natasha, who married Bezukhov in the 13th year ..."

In marriage, Natasha and Pierre have three daughters and one son: "... she already had three daughters and one son in 1820..."

Pierre and the secret society

In 1820, Pierre is a member of a secret society that is preparing a coup d'état. Apparently, the "secret society" is an allusion to the Decembrists (the Decembrist uprising takes place 5 years later, in 1825): "... You say that everything is bad with us and that there will be a revolution..."<...>we only take hand in hand for this, with one goal of the common good and common security ... "

This is how the life story looks like, the life path of Pierre Bezukhov in the novel "War and Peace", the main stages of his biography in quotes, the spiritual path of quest.

Count Pierre Bezukhov

Mistakes made

Hero's State

Friendship with Anatole Kuragin and Dolokhov

Good-natured, trusting, naive and hot-headed, Pierre allows himself to be drawn into adventures that are not as harmless as they might seem at first glance.

Marriage to Helen

It turns out to be powerless to resist the deceit and deceit of Prince Vasily, who marries him to his daughter by calculation. Realizing the mistake he made, Pierre blames only himself for everything that happened.

Duel with Dolokhov

A turning point in Pierre's life. She made Pierre think and understand that he lives by someone else's rules, is forced to deceive himself. After the duel, Pierre seeks to turn his life into a different moral direction.

freemasonry

Pierre did not immediately understand that in Freemasonry there is the same hypocrisy, careerism, passion for the external attributes of rituals, as in secular salons.

Pierre crosses out his past, but he still does not know what his future will be. A period of denial of the past, longing and bewilderment before the contradictions of life.

"What's wrong? What well? What should you love, what should you hate? Why live and what am I ... "- these are the questions that the hero again faces.

The search for an ideal, the desire to understand oneself and determine the purpose of life

What happens to Pierre, how he changes

freemasonry

It gives you the opportunity to gain for some time harmony with the world and yourself, and forever - the knowledge of the importance of the eternal issues of being. In Freemasonry, Pierre is attracted by the idea of ​​the need for a moral "purification" of the world and man, the need for a person in personal improvement. Faith in God comes to Pierre as a being "eternal and infinite in all its properties, omnipotent and incomprehensible."

Participation in the Battle of Borodino

Awakens in the hero the desire to participate in life, to be useful to society and the country. In the hero, a feeling of family connection is born with everyone who carries in himself " latent heat patriotism." Feeling of happiness from unity with people in common trouble, waiting for the time of exile of the enemy. Pierre decides for himself at this moment that the most important thing now is “to be a soldier, just a soldier! Enter into the common life with the whole being.

The idea to kill Napoleon

This bold, albeit slightly ridiculous decision to become the murderer of Napoleon comes to Pierre under the influence of those new feelings that he experienced on the Borodino field.

After the courtship of Prince Andrei and Natasha, Pierre felt that he could not live as before. He stopped keeping a diary, began to avoid the company of brother-Masons, began to go to the club again, drink heavily and became close to bachelor companies. His wife made a remark about his lifestyle, and in order not to compromise her, Pierre left for Moscow.

In Moscow, having driven along the city streets, Count Bezukhov felt at home, in a quiet haven. Moscow Society accepted Pierre as her own, in the eyes of the world he was a sweet and good-natured eccentric, a simple Russian master.

On Pierre, as before, they did not find moments of despair, blues and disgust for life; but the same illness, which had previously expressed itself in sharp attacks, was driven inside and did not leave him for a moment. "For what? What for? What is going on in the world?” he asked himself in bewilderment several times a day, involuntarily beginning to ponder the meaning of the phenomena of life; but knowing by experience that there were no answers to these questions, he hurriedly tried to turn away from them, took up a book, or hurried to the club, or to Apollon Nikolaevich to chat about city gossip ... It was too terrible to be under the yoke of these insoluble questions of life, and he gave himself up to his first passions, only to forget them. He went to all sorts of societies, drank a lot, bought paintings and built, and most importantly read ...

At the beginning of winter, the old prince Bolkonsky, together with Princess Mary and his grandson, also arrived in Moscow. The prince has aged a lot Last year, his character became even worse than before. For the princess, life in Moscow was very difficult: here she was deprived of her two main joys - communication with God's people and solitude. She did not go out into the world, as her father was sick, and she would not let her go alone.

Princess Mary in Moscow had no one to talk to, no one to believe her grief, and much new grief has been added during this time. The deadline for the return of Prince Andrei and his marriage was approaching, and his order to prepare his father for that was not only not fulfilled, but, on the contrary, the matter seemed to be completely spoiled, and the reminder of Countess Rostova pissed off the old prince, who had already been absent most of the time. in spirit.

The old military men periodically came to Count Bolkonsky, for whom politics was the main topic of conversation. Princess Mary, listening to the conversations of the old people, did not understand anything, and thought only of whether they noticed her father's attitude towards her. Immersed in her feelings, she did not even notice that Boris Drubetskoy, who had recently arrived from St. Petersburg in order to find a rich bride, was trying to persistently court her.

One evening, Pierre stopped by the Bolkonskys. He and the princess accidentally remained alone in the living room, and Pierre spoke to Marya about Boris Drubetskoy. Bezukhov told the girl that Boris had set himself the goal of marrying profitably and now he just didn’t know “whom to attack” - Princess Marya or Julie Karagina.

Would you marry him? asked Pierre.

Oh, my God, count, there are such moments when I would go for anyone, - suddenly, unexpectedly for herself, with tears in her voice, said Princess Mary. “Ah, how hard it is to love a loved one and feel that ... (she continued in a trembling voice) you can do nothing for him except grief, when you know that you cannot change this. Then one thing - to leave, but where should I go? ..

What are you, what is the matter with you, princess?

But the princess, without finishing, began to cry.

I don't know what's wrong with me today. Don't listen to me, forget what I told you.

All Pierre's gaiety vanished. He anxiously questioned the princess, asked her to express everything, to confide her grief to him; but she only repeated that she asked him to forget what she had said, that she did not remember what she had said, and that she had no grief, except for what he knows - grief that the marriage of Prince Andrei threatened to quarrel her father with son.

Have you heard about the Rostovs? she asked to change the conversation. - I was told that they will be soon. I also wait for Andre every day. I would like them to meet here.

And how does he look at the matter now? asked Pierre, by which he meant the old prince. Princess Mary shook her head.

But what to do? The year is only a few months away. And it can't be. I would only wish to spare my brother the first few minutes. I wish they would come sooner. I hope to get along with her...

Princess Mary told Pierre her plan of how she, the Rostovs had just arrived, would get close to her future daughter-in-law and try to accustom the old prince to her.

Princess Mary seemed to Drubetsky more attractive than Julie Karagin, but noticing that the girl was immersed in her feelings and did not accept his courtship, Boris began to go to the Karagins' house.

The Karagins' house was the most pleasant and hospitable house in Moscow that winter. In addition to dinner parties and dinners, every day a large company gathered at the Karagins, especially men who had dinner at 12 o'clock in the morning and stayed up until 3 o'clock. There was no ball, festivities, theater that Julie would miss ...

Julie had long been expecting an offer from her melancholic admirer and was ready to accept it; but some secret feeling of disgust for her, for her passionate desire to marry, for her unnaturalness, and a feeling of horror at the renunciation of the possibility true love still stopped Boris.

One day, Boris came to Julie and, overcoming disgust, confessed his love to her and made an offer. Julie agreed and the young began to prepare for the wedding, which was to take place in the near future.

In January, Count Rostov arrived in Moscow with Natasha and Sonya. From day to day in Moscow they were waiting for the arrival of Prince Andrei. Since the Rostovs arrived for a short time and their house was not heated in winter, they decided to stay with Marya Dmitrievna Akhrosimova, who had long invited them to visit.

The next day, on the advice of Marya Dmitrievna, Count Ilya Andreevich went with Natasha to Prince Nikolai Andreevich. The count, with a gloomy spirit, was going to this visit: in his soul he was afraid. The last meeting during the militia, when the count, in response to his invitation to dinner, received a heated reprimand for not bringing people in, Count Ilya Andreich remembered. Natasha, dressed in her best dress, was opposite in the most cheerful mood. “It’s impossible that they don’t love me,” she thought: everyone has always loved me. And I am so ready to do for them whatever they want, so ready to love him - because he is a father, and hers because she is a sister, that there is nothing for them not to love me! They drove up to the old, gloomy house on Vzdvizhenka and went into the hallway.

Well, God bless, - said the count, half in jest, half seriously; but Natasha noticed that her father was in a hurry, entering the hall, and timidly, quietly asked if the prince and princess were at home. After the report of their arrival, there was confusion among the servants of the prince ... The first to meet the guests was m-lle Bourienne. She greeted her father and daughter with particular courtesy and escorted them to the princess. The princess, with an agitated, frightened and red-spotted face, ran out, stepping heavily, towards the guests, and in vain trying to appear free and hospitable. Princess Mary did not like Natasha at first sight. She seemed to her too elegant, frivolously cheerful and conceited. Princess Marya did not know that before she saw her future daughter-in-law, she was already ill-disposed toward her out of involuntary envy of her beauty, youth and happiness, and out of jealousy for her brother's love. In addition to this irresistible feeling of antipathy towards her, Princess Marya at that moment was also agitated by the fact that, when reporting on the arrival of the Rostovs, the prince shouted that he did not need them, that let Princess Marya accept if she wanted, but that they should not be allowed to see him . Princess Marya decided to receive the Rostovs, but every minute she was afraid that the prince would do some kind of trick, as he seemed very excited by the arrival of the Rostovs.

Well, I brought you my songstress, dear princess, ”said the count, bowing and looking around uneasily, as if he were afraid that the old prince would not come up. - How glad I am that you met ... It's a pity, it's a pity that the prince is still unwell, - and after saying a few more general phrases, he stood up. - If you allow me, princess, to estimate my Natasha for a quarter of an hour, I would go, two steps here, to the Dog's Playground, to Anna Semyonovna, and I'll pick her up.

Ilya Andreich invented this diplomatic trick in order to give scope to the future sister-in-law to explain herself to her daughter-in-law (as he said after his daughter) and also in order to avoid the possibility of meeting the prince, whom he was afraid of ... The princess told the count that she was very she is glad and asks him only to stay a little longer with Anna Semyonovna, and Ilya Andreevich left. M-lle Bourienne, despite the restless glances cast at her by Princess Mary, who wanted to talk face to face with Natasha, did not leave the room and kept her conversation firmly about Moscow pleasures and theaters. Natasha was offended by the confusion that had occurred in the hallway, her father's anxiety, and the unnatural tone of the princess, who, it seemed to her, was doing a favor by receiving her. And that's why everything was unpleasant for her. She did not like Princess Mary. She seemed to her very bad-looking, feigned and dry. Natasha suddenly shrank morally and involuntarily assumed such a casual tone, which even more repelled Princess Marya from her. After five minutes of heavy, feigned conversation, quick footsteps in shoes were heard approaching. Princess Mary's face expressed fear, the door of the room opened and the prince entered in a white cap and dressing gown.

Ah, ma'am," he began, "ma'am, countess... Countess Rostova, if I'm not mistaken... I beg your pardon, pardon... I didn't know, ma'am. Sees God did not know that you honored us with your visit, he went to his daughter in such a suit. I beg your pardon ... God doesn’t know, he repeated so unnaturally, emphasizing the word God and so unpleasantly that Princess Marya stood with her eyes downcast, not daring to look either at her father or at Natasha. Natasha, having risen and sat down, also did not know what to do. One m-lle Bourienne smiled pleasantly.

I beg your pardon, I beg your pardon! Sees God did not know, - the old man muttered and, having examined Natasha from head to toe, went out. M-lle Bourienne was the first to appear after this appearance and began a conversation about the prince's ill health. Natasha and Princess Mary looked at each other in silence, and the longer they looked at each other in silence, not saying what they needed to say, the more unkindly they thought of each other ... When the count was already leaving the room, Princess Mary quickly She walked up to Natasha with steps, took her hands and, sighing heavily, said: “Wait, I need to ...” Natasha mockingly, not knowing why, looked at Princess Marya.

Dear Natalie, - said Princess Marya, - know that I am glad that my brother found happiness ... - She stopped, feeling that she was telling a lie. Natasha noticed this stop and guessed the reason for it.

I think, princess, that it is now inconvenient to talk about this, ”Natasha said with outward dignity and coldness, and with tears that she felt in her throat.

"What did I say, what did I do!" she thought as she left the room...

Natasha, straightening her dress, walked along with Sonya and sat down, looking around the illuminated rows of opposite boxes. She had not experienced for a long time the feeling that hundreds of eyes were looking at her bare arms and neck, suddenly and pleasantly and unpleasantly seized her, causing a whole swarm of memories, desires and worries corresponding to this sensation. Two remarkably pretty girls, Natasha and Sonya, with Count Ilya Andreich, who had not been seen in Moscow for a long time, attracted everyone's attention. In addition, everyone knew vaguely about Natasha's conspiracy with Prince Andrei, knew that since then the Rostovs had lived in the village, and looked with curiosity at the bride of one of the best grooms in Russia.

Natasha grew prettier in the village, as everyone told her, and this evening, thanks to her agitated state, she was especially good. She struck with the fullness of life and beauty, combined with indifference to everything around. Her black eyes looked at the crowd, looking for no one, and a thin, bare arm above the elbow, leaning on a velvet ramp, obviously unconsciously, in time with the overture, clenched and unclenched, crumpling the poster.

Among those present, the Rostovs noticed many acquaintances: Boris with Julie, Dolokhov, who was "the center of attraction for the brilliant youth of Moscow." Now all of Moscow "went crazy" about Dolokhov and Anatol Kuragin. Helen Bezukhova was also here, whose beauty struck Natasha.

The last chords of the overture sounded and the bandmaster's stick rattled. In the parterre, belated men went to their places and the curtain rose. As soon as the curtain rose, everything fell silent in the boxes and stalls, and all the men, old and young, in uniforms and tailcoats, all the women in precious stones on their naked bodies, with greedy curiosity turned their attention to the stage. Natasha also began to look ...

Natasha looked in the direction of Countess Bezukhova's eyes and saw an unusually handsome adjutant, with a self-confident and at the same time courteous look, approaching their box. It was Anatole Kuragin, whom she had long seen and noticed at the St. Petersburg ball. He was now in an adjutant's uniform with one epaulette and an exelbane ... Glancing at Natasha, he went up to his sister, put his hand in a soaked glove on the edge of her box, shook her head and leaned over and asked something, pointing to Natasha ...

Kuragin stood all this intermission with Dolokhov in front of the ramp, looking at the Rostov box. Natasha knew that he was talking about her, and it gave her pleasure. She even turned so that he could see her profile, in her opinion, in the most advantageous position ...

After the second act, Helen asked the count to introduce her to his daughters and invited Natasha to her box. In the next intermission, Anatole approached them, and Helen introduced him to Natasha.

Kuragin asked about the impression of the performance and told her about how in the last performance Semenova, playing, fell.

Do you know, Countess, - he said, suddenly addressing her as if he were an old acquaintance, - we are having a carousel in costumes; you should participate in it: it will be very fun. Everyone gathers at the Arkharovs. Please come, right, eh? he said. Saying this, he did not take his smiling eyes off his face, from his neck, from Natasha's bare hands...

Natasha returned to her father in the box, already completely subordinate to the world in which she was ... Natasha only saw this from the fourth act: something worried and tormented her, and the cause of this excitement was Kuragin, whom she involuntarily followed with her eyes . As they left the theatre, Anatole approached them, called their carriage, and helped them up. As he lifted Natasha up, he shook her hand above the elbow. Natasha, excited and red, looked back at him. He, shining with his eyes and gently smiling, looked at her.

Only when she arrived home, Natasha could clearly think over everything that had happened to her, and suddenly remembering Prince Andrei, she was horrified, and in front of everyone for tea, for which everyone sat down after the theater, she gasped loudly and flushed ran out of the room. "My God! I died! she said to herself. How could I let this happen?" she thought. For a long time she sat, covering her flushed face with her hands, trying to give herself a clear account of what had happened to her, and could neither understand what had happened to her, nor what she felt. Everything seemed to her dark, indistinct and frightening.

Anatole Kuragin lived in Moscow, because his father set him the condition to marry a rich bride. But the young man believed that rich brides were mostly bad-looking, so he did not want to get close to anyone and limited himself to short-term intrigues. In addition, he was married for two years: in Poland, one poor landowner forced Anatole to marry his daughter. However, Anatole left his wife and for the money that he promised to send to his father-in-law, he got himself the right to become single again.

He was not a player, at least he never wanted to win. He was not conceited. He didn't care what anyone thought of him. Still less could he be accused of ambition. He teased his father several times, spoiling his career, and laughed at all the accolades. He was not stingy and did not refuse anyone who asked him. The only thing he loved was fun and women, and since, according to his concepts, there was nothing ignoble in these tastes, and he could not consider what came out for other people from satisfying his tastes, then in his soul he considered himself an irreproachable person, sincerely despised scoundrels and bad people, and with a clear conscience carried his head high...

Acquaintance with Natasha Rostova made a strong impression on Anatole. Having discussed with Dolokhov the merits of the girl, he decided to "drag after her", not thinking what might come of it in the future. Dolokhov recalled that “once he had already caught a girl,” but Anatole only laughed in response, saying that they didn’t get caught twice on the same one.

Natasha Rostova was still waiting for Andrei Bolkonsky, but at the same time she often remembered Anatole Kuragin, trying to understand the feeling that he aroused in her. Soon Helen herself came to the Rostovs. Despite the fact that she had previously been annoyed with Natasha (she had beaten Boris from her in St. Petersburg), she tried to forget about it and decided to help her brother. Helen secretly informed Natasha that her brother "sighs for her", and Rostova, blinded by social brilliance, involuntarily fell under her influence. Helen invited Natasha to a masquerade, which Anatole mentioned at the theater.

Count Ilya Andreich took his girls to Countess Bezukhova. There were quite a lot of people at the evening. But the whole society was almost unfamiliar to Natasha. Count Ilya Andreich noted with displeasure that this whole company consisted mainly of men and women known for their liberties of treatment ... Anatole was obviously waiting at the door for the Rostovs to enter. He immediately greeted the count, went up to Natasha and followed her. As soon as Natasha saw him, the same feeling of conceited pleasure, as in the theater, that he liked her and fear from the absence of moral barriers between her and him, seized her. Helen joyfully received Natasha and loudly admired her beauty and toilet. Shortly after their arrival, m'lle Georges left the room to dress. In the living room they began to arrange chairs and sit down. Anatole moved a chair to Natasha and wanted to sit beside her, but the count, who did not take his eyes off Natasha, sat down beside her. Anatole sat in the back...

Natasha looked at fat Georges, but heard nothing, saw nothing, and understood nothing of what was going on in front of her; she only felt completely irrevocable again in that strange, insane world, so far from the former, in that world in which it was impossible to know what was good, what was bad, what was reasonable and what was insane. Behind her sat Anatole, and she, feeling his closeness, fearfully waited for something...

After several receptions of recitation, m-lle Georges left and Countess Bezukhova asked for company in the hall. The count wanted to leave, but Helen begged not to spoil her impromptu ball. The Rostovs remained. Anatole invited Natasha to a waltz, and during the waltz he, shaking her waist and hand, told her that he loved her. During the ecossaise, which she again danced with Kuragin, when they were left alone, Anatole did not say anything to her and only looked at her. Natasha was in doubt if she saw in a dream what he said to her during the waltz. At the end of the first figure, he again shook hands with her. Natasha looked up at him with frightened eyes, but such a self-confidently gentle expression was in his affectionate look and smile that she could not, looking at him, say what she had to tell him. She lowered her eyes.

Don't tell me such things, I'm engaged and in love with another, she said quickly... She looked at him. Anatole was not embarrassed or upset by what she said.

Don't tell me about it. What is my business? - he said. "I'm saying I'm madly, madly in love with you." Is it my fault that you are amazing?..

She hardly remembered anything from what had happened that evening. Ecossaise and gross vater danced, her father invited her to leave, she asked to stay. Wherever she was, whoever she spoke to, she could feel his eyes on her. Then she remembered that she had asked her father for permission to go into the dressing room to straighten her dress, that Helen had gone after her, told her laughing about her brother's love, and that in the small sofa she had met Anatole again, that Helen had disappeared somewhere, they were left alone and Anatole Taking her by the hand, he said in a gentle voice:

I can't visit you, but will I never see you again? I love you madly. Really never? .. - and he, blocking her way, brought his face closer to her face.

His brilliant, large, masculine eyes were so close to hers that she could see nothing but those eyes...

Not staying for supper, the Rostovs left. Returning home, Natasha did not sleep all night: she was tormented by the insoluble question of whom she loved, Anatole or Prince Andrei. She loved Prince Andrei - she remembered clearly how much she loved him. But she loved Anatole too, that was beyond doubt. “Otherwise, how could all this be?” she thought. “If after that I could, after saying goodbye to him, answer his smile with a smile, if I could allow it to happen, it means that I fell in love with him from the first minute. It means that he is kind, noble and beautiful, and it was impossible not to love him. What should I do when I love him and love another? - she said to herself, not finding answers to these terrible questions.

The next day, Marya Dmitrievna, calling Natasha and Count Rostov to her, said that yesterday she paid a visit to Prince Nikolai Bolkonsky, but achieved nothing: he still did not want to hear about the Rostovs. Marya Dmitrievna advised them to return to Otradnoe and wait for the groom there. Ilya Andreevich agreed with this proposal, but Natasha was against it. Marya Dmitrievna gave Natasha a letter from Princess Marya, in which she apologized for her behavior at the last meeting and asked Natasha to believe that she could not help but love the one her brother loves.

After dinner, Natasha went to her room to read Princess Marya's letter once more. After reading, she thought about whether her happiness with Andrei is possible now, after what happened between her and Anatole Kuragin. At this time, the maid brought her a letter from Anatole.

“Since last night, my fate has been decided: to be loved by you or die. I have no other choice,” the letter began. Then he wrote that he knew that her relatives would not give her to him, Anatole, that there were secret reasons for this, which he alone could reveal to her, but that if she loved him, then she should say this word yes, and no human strength will not interfere with their bliss. Love conquers everything. He will kidnap her and take her to the ends of the earth.

That evening, Marya Dmitrievna was going to her friends and invited Sonya and Natasha to go with her, but Natasha, saying that she had a headache, stayed at home. Sonya, returning late in the evening, entered Natasha's room and saw that she was sleeping naked on the sofa. Sonya noticed Anatole's letter, which was lying on the table, and read it.

Natasha, waking up, gently hugged her friend, but noticing embarrassment and suspicion on Sonya's face, she guessed that she had read the letter. Realizing that there was nothing to hide, she revealed to Sonya with joy and delight that she and Anatole love each other. Sonya tried to reason with her friend, convincing her that it was impossible to forget the person whom she had loved for a whole year in three days. But Natasha didn't want to hear anything. Indignant, Sonya promised to write a letter to Anatole and tell Natasha's father about everything. Frightened Natasha, shouting: “I don’t need anyone! I don’t love anyone but him!” Sonia drove away, and the girl burst into tears and ran away. Left alone, Natasha sat down at the table and wrote an answer to Princess Marya, explaining that all the misunderstandings between their families had been settled and she could not be Andrei's wife, she asked to forget her and forgive her.

On the day of the count's departure, Sonya and Natasha were invited to a big dinner at the Karagins, and Marya Dmitrievna took them. At this dinner, Natasha again met with Anatole, and Sonya noticed that Natasha was talking to him, wanting not to be heard, and all the time of the dinner she was even more excited than before ...

On the eve of the day on which the count was to return, Sonya noticed that Natasha had been sitting all morning at the living room window, as if waiting for something, and that she had made some kind of sign to the passing military man, whom Sonya mistook for Anatole ...

Sonya, not knowing what to do and who to turn to for help, decided to do everything possible to prevent Natasha from escaping.

Anatole had been living with Dolokhov for several days. The plan for the kidnapping of Natasha Rostova was thought out and prepared by Dolokhov. On the day when Sonya decided to protect her friend, Kuragin at ten o'clock in the evening was going to drive up to the back porch of the house, put Natasha, who had come out to him in a troika, and take her to a village 60 miles from Moscow, where the priest was supposed to marry them. After that, they had to go abroad - Anatole prepared both passports and a road trip, and 10 thousand rubles taken from his sister, and another 10 thousand borrowed through Dolokhov.

When Dolokhov and Anatole secretly arrived at the house where Natasha was waiting for them, a footman met them in the courtyard and asked them to "come to the mistress." When Dolokhov and Anatole realized that their plan had failed, they ran back to the troika and disappeared.

Marya Dmitrievna, finding the weeping Sonya in the corridor, forced her to confess everything. Intercepting Natasha's note and reading it, Marya Dmitrievna went up to Natasha with the note in her hand.

Bastard, shameless, she told her. - I don't want to hear anything! - Pushing away Natasha, who was looking at her with surprised, but dry eyes, she locked her with a key and ordered the janitor to let through the gate those people who would come that evening, but not to let them out, and ordered the footman to bring these people to her, sat down in the living room, waiting kidnappers.

When Gavrilo came to report to Marya Dmitrievna that the people who had come had run away, she got up with a frown, and with her hands folded back, paced the rooms for a long time, pondering what she should do. At 12 o'clock in the morning, feeling the key in her pocket, she went to Natasha's room. Sonya, sobbing, sat in the corridor ...

Marya Dmitrievna entered the room with resolute steps. Natasha lay on the couch, covering her head with her hands, and did not move. She lay in the very position in which Marya Dmitrievna had left her...

Both Marya Dmitrievna and Sonya were surprised to see Natasha's face. Her eyes were bright and dry, her lips were pursed, her cheeks drooped...

Marya Dmitrievna tried to convince Natasha that everything that had happened must be hidden from the count, no one would know anything if Natasha herself tried to forget everything and not show others that something had happened. Natasha did not answer, but she did not cry either, she was pierced by chills and trembling. Marya Dmitrievna brought linden tea to the girl and covered her with two blankets.

Well, let her sleep,” said Marya Dmitrievna, leaving the room, thinking that she was sleeping. But Natasha did not sleep, and with fixed open eyes from her pale face looked straight ahead of her. All that night Natasha did not sleep, and did not cry, and did not speak to Sonya, who got up several times and approached her.

The next day the count arrived. His affairs were gradually settled, and in the near future he, Natasha and Sonya, were going to return to the estate. Marya Dmitrievna, meeting him, said that Natasha was ill, but now she was better. Natasha did not leave the room that morning, she sat by the window and waited for news about Anatole. When her father entered her, she did not even rise to meet him. Natasha answered all her father's questions reluctantly, saying that she was ill, and asked her not to disturb her. The count, by the faces of Sonya and Marya Dmitrievna, as well as by the mood of his daughter, saw that something had happened during his absence, but he did not want to disturb his calmness, so he tried to avoid questioning.

From the day his wife returned to Moscow, Pierre promised himself to go somewhere so as not to see her. He went to Tver, to the widow of Joseph Alekseevich, his mentor in Freemasonry. Returning to Moscow, Pierre received a letter from Marya Dmitrievna with an invitation to talk about a case involving Andrei Bolkonsky and his bride. For some time, Pierre had a stronger feeling for Natasha than a married person should have, and therefore tried to avoid communication with her.

Arriving at Countess Akhrosimova, Pierre saw Natasha sitting at the window with a thin and angry face. Marya Dmitrievna, taking Pierre's word of honor to remain silent about what she had heard, told him about the latest events.

Pierre, raising his shoulders and opening his mouth, listened to what Marya Dmitrievna was telling him, not believing his ears. To the bride of Prince Andrei, so much loved, this formerly sweet Natasha Rostova, to exchange Bolkonsky for the fool Anatole, already married (Pierre knew the secret of his marriage), and fall in love with him so much as to agree to run away with him! - This Pierre could not understand and could not imagine.

The sweet impression of Natasha, whom he had known since childhood, could not unite in his soul with a new idea of ​​her baseness, stupidity and cruelty. He remembered his wife. “They are all the same,” he said to himself, thinking that he was not the only one who had the sad fate of being associated with a nasty woman. But all the same, he felt sorry for Prince Andrei to the point of tears, he felt sorry for his pride. And the more he felt sorry for his friend, the more contempt and even disgust he thought about this Natasha, with such an expression of cold dignity, who now passed him along the hall. He did not know that Natasha's soul was filled with despair, shame, humiliation, and that it was not her fault that her face inadvertently expressed calm dignity and severity.

Pierre told Marya Dmitrievna that Anatole could not marry Natasha because he was married. Fearing that Count Rostov or Andrei Bolkonsky would not challenge Kuragin to a duel, Marya Dmitrievna asked Pierre to order Anatole to leave Moscow. Pierre promised her to carry out the order. When he was about to leave, Sonya entered the living room and said that Natasha was asking Pierre to come to her. Marya Dmitrievna told Natasha that Kuragin was married, but she did not believe it and demanded that Pierre himself tell her about it.

Natasha, pale and stern, was sitting beside Marya Dmitrievna, and from the very door she met Pierre with a feverishly brilliant, inquiring look. She did not smile, did not nod her head at him, she only looked stubbornly at him, and her glance only asked him whether he was a friend or an enemy like everyone else in relation to Anatole. Pierre himself obviously did not exist for her.

He knows everything,” said Marya Dmitrievna, pointing to Pierre and turning to Natasha. "He'll tell you if I told the truth." Natasha, like a hunted, driven animal, looks at the approaching dogs and hunters, looked first at one, then at the other.

Natalya Ilyinichna,” Pierre began, lowering his eyes and feeling a sense of pity for her and disgust for the operation that he was supposed to do, “whether it’s true or not, it should be all the same to you, because ...

So it's not true that he's married!

No, its true.

Was he married for a long time? - she asked, - honestly?

Pierre gave her his word of honor.

Is he still here? she asked quickly.

Yes, I saw him just now.

She was obviously unable to speak and made signs with her hands to leave her ...

Having left the house of Countess Akhrosimova, Pierre went to look for Kuragin in the city, "at the thought of which all the blood rushed to his heart and he had difficulty in taking breath." Not finding him anywhere, Pierre arrived home and found out that Anatole, among other guests, was with his wife. Entering the living room and not saying hello to his wife, who, in his opinion, was the main culprit of what happened, Pierre approached Anatole and saying that he urgently needed to talk to him, almost by force took him out of the room.

Anatole followed him with his usual, youthful gait. But there was concern on his face.

Entering his office, Pierre closed the door and turned to Anatole without looking at him...

You are a scoundrel and a scoundrel, and I don’t know what keeps me from the pleasure of crushing your head with this, Pierre said, expressing himself so artificially because he spoke French. He took the heavy paperweight in his hand and raised it menacingly, and immediately put it hastily in its place.

Did you promise to marry her?

I, I, I didn't think; However, I never promised, because ...

Pierre interrupted him.

Do you have her letters? Do you have letters? Pierre repeated, moving towards Anatole.

Anatole looked at him and at once, thrusting his hand into his pocket, took out his wallet.

Pierre took the letter handed to him and, pushing the table that stood in the road, fell on the sofa ...

Letters - once, - said Pierre, as if repeating a lesson for himself. "Second," he continued after a moment's silence, getting up again and beginning to walk, "you must leave Moscow tomorrow."

But how can I...

Thirdly, - not listening to him, Pierre continued, - you should never say a word about what happened between you and the countess. This, I know, I cannot forbid you, but if you have a spark of conscience ... - Pierre silently walked around the room several times. Anatole sat at the table and frowned, biting his lips.

The next day Anatole left for Petersburg.

Pierre went to the Rostovs to announce Anatole's departure. Natasha was very sick. On the day she was told that Kuragin was married, she poisoned herself with arsenic. But after swallowing it a little, she got scared, woke Sonya and told her about what she had done. All necessary measures were taken, and now Natasha was out of danger. But she was still very weak and there was no question of taking her to the village.

Pierre dined at the club that day and from all sides heard talk about the unsuccessful attempt to kidnap Rostova by Kuragin. Bezukhov refuted these rumors as best he could, assuring everyone that there was nothing of the kind, but only that Anatole proposed to Natasha and was refused. He fearfully waited for Andrei's return and every day called at the old prince. Prince Nikolai Bolkonsky knew all the rumors that were circulating around the city, and read Natasha's note to Princess Marya. Everything that happened made him happy and he was looking forward to his son. A few days after Anatole's departure, Pierre received a note from Prince Andrei, in which he announced his arrival and asked Pierre to call on him.

Prince Andrei, having arrived in Moscow, in the very first minute received a note in which Natasha refused him, and heard from his father the story of the abduction. Pierre came to Andrey the next morning.

When Prince Meshchersky left, Prince Andrei took Pierre by the arm and invited him into the room that had been reserved for him. The bed was broken in the room, suitcases and chests lay open. Prince Andrei went up to one of them and took out a box. From the box he took out a bundle of paper. He did everything silently and very quickly. He got up, cleared his throat. His face was scrunched up and his lips were pursed.

Forgive me if I bother you ... - Pierre realized that Prince Andrei wanted to talk about Natasha, and his broad face expressed regret and sympathy. This expression on Pierre's face annoyed Prince Andrei; he continued resolutely, loudly and unpleasantly:

I received a refusal from Countess Rostova, and I heard rumors about your brother-in-law seeking her hand, or the like. Is it true?

Both true and not true, Pierre began; but Prince Andrei interrupted him.

Here are her letters and a portrait,” he said. He took the bundle from the table and handed it to Pierre.

Give it to the Countess... if you see her.

She is very sick, said Pierre.

So is she still here? - said Prince Andrew. - And Prince Kuragin? he asked quickly.

He left a long time ago. She was dying...

I am very sorry about her illness, - said Prince Andrei. - He coldly, evilly, unpleasantly, like his father, grinned ...

Natasha certainly wants to see Count Pyotr Kirillovich, she said ...

Natasha, emaciated, with a pale and stern face (not at all ashamed as Pierre expected her), stood in the middle of the living room. When Pierre appeared at the door, she hurried, obviously undecided whether to approach him or wait for him.

Pierre hastily approached her. He thought that she, as always, would give him a hand; but, coming close to him, she stopped, breathing heavily and dropping her hands lifelessly, in exactly the same position in which she went out into the middle of the hall to sing, but with a completely different expression.

Pyotr Kirilych, - she began to speak quickly - Prince Bolkonsky was your friend, he is your friend, - she corrected herself (it seemed to her that everything had just happened, and that now everything is different). - He told me then to turn to you...

Pierre sniffed silently, looking at her. He still reproached her in his soul and tried to despise her; but now he felt so sorry for her that there was no room for reproach in his soul.

He's here now, tell him... to just... forgive me. She stopped and began to breathe even faster, but did not cry.

Yes ... I will tell him, - Pierre said, but ... - He did not know what to say ...

I ask you one thing - consider me your friend, and if you need help, advice, you just need to pour out your soul to someone - not now, but when it will be clear in your soul - remember me. He took and kissed her hand. “I’ll be happy if I’m able to ...” Pierre was embarrassed.

Don't talk to me like that: I'm not worth it! cried Natasha and wanted to leave the room, but Pierre held her by the hand. He knew he had something more to say to her. But when he said this, he was surprised at his own words.

Stop it, stop it, your whole life is ahead of you, he told her.

For me? Not! Everything is lost for me,” she said with shame and self-abasement.

Everything is lost? he repeated. - If I were not me, but the most beautiful, smartest and best person in the world, and would be free, I would this minute on my knees ask for your hand and love.

Natasha, for the first time after many days, wept with tears of gratitude and tenderness, and looking at Pierre left the room.

Pierre, too, after her, almost ran out into the hall, holding back the tears of tenderness and happiness that were crushing his throat, put on a fur coat without getting into the sleeves and got into the sleigh ...

It was cold and clear. Above the dirty, half-dark streets, above the black roofs stood a dark, starry sky. Pierre, only looking at the sky, did not feel the insulting baseness of everything earthly in comparison with the height at which his soul was. At the entrance to the Arbat Square, a huge expanse of starry dark sky opened up to Pierre's eyes. Almost in the middle of this sky above Prechistensky Boulevard, surrounded, sprinkled on all sides with stars, but differing from all in proximity to the ground, white light, and a long tail raised up, stood a huge bright comet 1812, the same comet that, as they said, foreshadowed all sorts of horrors and the end of the world. But in Pierre, this bright star with a long radiant tail did not arouse any terrible feeling. On the contrary, Pierre joyfully, with eyes wet with tears, looked at this bright star, which, as if, having flown immeasurable spaces along a parabolic line with inexpressible speed, suddenly, like an arrow piercing the ground, slammed here into one place it had chosen, in the black sky , and stopped, vigorously raising her tail, glowing and playing with her white light between countless other twinkling stars. It seemed to Pierre that this star fully corresponded to what was in his blossoming towards a new life, softened and encouraged soul.

Volume II

Part three

Proximity of Napoleon and Alexander in 1808-1809. This proximity reached such a point that when Napoleon attacked Austria, the Russian corps came out to assist their former enemy. The life of people far from politics went on as usual. Life and occupations of Prince Andrei Bol-konsky in the village. He implements those plans that Pierre conceived, but did not bring to mind: one estate was transferred to free cultivators, in others the corvée was replaced by dues. The prince spent one part of his time with his son and father in Bald Mountains, the other in Bogucharovo. The trip of Prince Andrei to the Ryazan estates of his son. Spring in the forest. It was very hot, windless. The gloomy thoughts of Prince Andrei at the sight of an old oak tree. It was an oak with broken branches and bark overgrown with old sores. He was “an old, contemptuous freak standing between smiling birches” and as if saying: “Spring, and love, and happiness! And how do you not get tired of the same stupid and senseless deceit! Everything is the same, and everything is a lie! There is no spring, no sun, no happiness. In connection with this oak, Prince Andrei has a whole series of new thoughts: he comes to the conclusion that "he must live his life without doing evil, without worrying and without wanting anything."

The trip of Prince Andrei to the Rostovs in Otradnoye. This trip had to be made because Count Ilya Andreevich Rostov was the district marshal. Meeting with Natasha. When Bolkonsky drove in, a crowd of girls ran out to cut him off. Natasha ran ahead. Andrei becomes pained because she is happy with her own separate life and she has nothing to do with him. Throughout the day, Bolkonsky several times draws attention to the laughing Natasha, not understanding why she is so happy, what is she thinking about? In the evening, Prince Andrei involuntarily overhears Natasha's intimate conversation with Sonya. Natasha, who could not sleep, admires the beauty of the night, the moon, and wants to fly. Sonya says it's time to sleep, Natasha finally gives in to her. All this time, Bolkonsky, listening to the conversation, is involuntarily afraid that Natasha will say something about him, but she didn’t care about his existence. “Suddenly, such a confusion of young thoughts and hopes, contradicting his whole life, arose in his soul,” that he, not understanding himself, immediately falls asleep.

The return of Prince Andrei home took place through the same grove where the old ugly oak stood. Prince Andrei decided to find this oak, but it was not there. He was transformed, zaze-lenel. "No clumsy fingers, no sores, no old mistrust and grief - nothing was visible." A surge of joy and vigor in Prince Andrei at the sight of a blossoming old oak. Bolkonsky's faith in the opportunity for himself to work, happiness, love and the decision to go to St. Petersburg in the fall. “No, life is not over at thirty-one!” Bolkonsky decides for himself. He wanted everyone to know about him, not to live so independently of his life, so that everyone would live with him.

The arrival of Prince Andrei in St. Petersburg. The era of reforms and the apogee of Speransky's glory. At this time, those vague liberal dreams with which Emperor Alexander came to the throne. Speransky replaced everyone on the civilian side, and Arakcheev on the military side. Prince Andrei at a reception at Arakcheev's. He handed him a note on the military regulations, which he had to consider. Everyone who was in Arakcheev's waiting room looked humbled and frightened. They called Prince Andrei. Speransky said that he did not approve of Bolkonsky's charter. But at the same time, Arakcheev enrolled Bolkonsky as a member of the committee on military regulations. But no recompense. Prince Andrei says that he does not need it.

The interests of Prince Andrei in St. Petersburg and his passion for Speransky. Bolkonsky resumes all the old acquaintances. The welcome reception of Bolkonsky by various circles of high Petersburg society. The party of reformers welcomed him cordially, since he set the peasants free, the female world accepted him as a bridegroom. “They started talking about him, they were interested in him and everyone wanted to see him.” Prince Andrei at Count Kochubey. His meeting and conversation with Speransky. Speransky is a man who had calmness and self-confidence, awkward and stupid movements, a firm, but at the same time soft look. He decides to start a conversation with Bol-konsky. He says that he knows about the prince for a long time thanks to his father and his actions with the peasants. Prince Andrei could not help but talk with Speransky, as he was interested in the personality of this man. Speransky invites Bol-konsky to visit him.

Pastime of Prince Andrei in St. Petersburg. He doesn’t do anything, doesn’t think about anything, but only says and even the same thing on the same day in different societies. The impression made on him by Speransky. Bolkonsky wanted to “find in another the ideal of his perfection, to which he aspired,” and therefore he easily found it in Speransky. And he flattered him, saying "we", "us", "us". Only a cold look that did not let through the soul embarrassed Bolkonsky. Characteristics of Speransky. Its main feature is faith in the power and legitimacy of the mind. He had a great contempt for people. In support of his thoughts, Speransky could bring such a large amount of evidence that there was nothing left to do but agree with him. Enrollment of Prince Andrei as a member of the commission for drafting military regulations and the commission for drafting laws. He is appointed chief. He began to work on compiling the section "Rights of Persons".

Pierre at the head of St. Petersburg Freemasonry. He triples the canteens, recruits new members, takes care of uniting the various lodges and acquiring genuine deeds. Pierre's dissatisfaction with Masonic activity. He felt that he was losing faith in the truth of Freemasonry. It began to seem to him that Freemasonry was based on one appearance, Russian Freemasonry went down the wrong path. Therefore, he undertakes a trip abroad to initiate himself into the highest mysteries of Freemasonry. There he receives the trust of the highest persons, penetrates into many secrets and receives highest rank. Return to Petersburg. Ceremonial meeting of the Masonic lodge. Pierre's speech and the excitement she generated in the box. Pierre says that it is not enough to observe the sacraments of the Masons, one must also act. He proposes a plan which was based entirely on educating people to be firm and virtuous, to persecute vice and stupidity everywhere. The great master began to object to Pierre. Pierre's break with the St. Petersburg Freemasons.

Pierre's longing. At this time, Helen sends him a letter, where she says that she misses him, that she wants to see him. The mother-in-law called Pierre for an important conversation. He feels that he is being entangled, that in the state in which he is, he cannot do anything. A trip to Moscow to Joseph Alekseevich. His reconciliation with his wife. Pierre performs this act on the basis of the fact that Iosif Alekseevich reminded him that one should not refuse the one who asks. He settles in the upper chambers and feels happy with the feeling of renewal.

Circles of higher Petersburg society. The French circle of the Napoleonic Union - Count Rumyantsev and Caulaincourt. Helen is at the center of this circle. When Helene was in Erfurt, Napoleon himself noticed her. Her salon. A visit to Helen's salon was a diploma of the mind. Although Pierre knew perfectly well that Helen was stupid, he always wondered why people did not see this, and was afraid that sooner or later the deception would be revealed. The role of Pierre in the salon of his wife. He was that clumsy husband who provided a favorable background for his wife. Pierre learned the indifferent tone, negligence and benevolence towards everyone, which was expected from him. Boris Drubetskoy often visited Helen's salon among other guests. Helen's closeness to Boris Drubetsky. Boris communicated with Pierre with a special melancholy reverence. Pierre's attitude towards Boris was negative. He himself was amazed at what antipathy he feels for this young man, although it was when he liked it.

Diary of Pierre Bezukhov. Pierre writes that he is happy and calm in spirit. He tries to overcome his hatred for Drubetskoy. He asks the Lord to help him get rid of the passions that haunt him and find virtue.

Arrival of the Rostovs in Petersburg. During the time that the Rostovs spent in the village, their affairs did not improve, and therefore the old count went with his family to Petersburg to look for places. The Rostovs belong to a mixed and indefinite society in St. Petersburg. For Muscovites, they were those provincials to whom people descended, who were not asked who they were. Berg's career success. He was wounded in the arm, received two awards for this. He was a captain of the guard with orders, he occupied a special advantageous place in St. Petersburg. Berg makes an offer to Vera, which at first was accepted with unflattering bewilderment for him. But then everyone decided that, perhaps, this is good. And joy reigned in the Rostov family. Berg's explanation with the old count about the dowry. The count did not know how much money he had, debts, and what he could give to Vera. Berg directly asked the count what would be given for Vera. He replied that the bill was eighty thousand. Berg asks to give him thirty thousand clean hands, to which the count agrees.

Natasha in Petersburg. She is already sixteen. She had not seen Boris for a long time and now she was thinking whether to take seriously the oath that she had given him four years ago. Boris now had a brilliant position in Petersburg thanks to his relationship with Helen, a brilliant position in the service thanks to his acquaintance with an influential person. He was going to marry one of the rich brides of St. Petersburg. Arrival of Boris Drubetskoy to the Rostovs. His meeting with Natasha and the impression she made on him. This was not the same Natasha. Boris' infatuation with Natasha. Boris understands that interest in her has not cooled down, if he has not become even stronger, but he cannot marry Natasha, this is the collapse of his career. Boris has now ceased to visit Helen and whole days stayed with the Rostovs. Natasha was still in love with him.

In the bedroom of Countess Rostova. Natasha's night visit and the daughter's conversation with her mother about Boris. Mother tells Natasha that she has completely turned Boris's head, that this is not possible. Because they can't get married. Natasha herself says that Boris is not to her taste, because he is "narrow, gray, light." Not like Pierre, who is "dark blue with red and quadrangular." Natasha's thoughts about herself. Natasha argues that she is sweet, unusually smart, good, etc. With such thoughts, she falls asleep. The next morning, the countess spoke with Boris, and he no longer appeared in the Rostovs' house.

New Year's ball at the Catherine's nobleman. There must be a diplomatic corps at the ball. Congress of invitees. Preparations for the Rostovs' ball. Excited state of Natasha before going to the first big ball. She got up at eight o'clock in the morning and was in feverish anxiety and activity all day. At eleven o'clock everyone got into their carriages and drove off.

Natasha's arrival at the ball. What awaited Natasha was wonderful. She did not see anything, her eyes ran wide, and therefore she behaved so naturally, that only went to her. The impression made by Natasha on the hostess and some of the guests. Everyone looked after this girl, probably remembering their first ball. And the owner, seeing Natasha with his eyes, said: "Charmante!" Peronskaya calls Rostov significant persons who were at the ball. Pierre and Prince Andrei at the ball. Pierre was heading to Natasha, as he promised to introduce her to the gentlemen. But, before reaching her, he stops near a handsome brunette in a white uniform. It was Bolkonsky, rejuvenated and cheerful. Peronskaya says that she cannot stand Bolkonsky, although everyone is crazy about him, there is too much pride in him.

Arrival at Alexander's ball. The whole crowd rushed to look at the emperor. The sovereign opens the ball. Na-tasha's despair that she does not dance between the first. No one invited Natasha, she was almost crying. Waltz. Pierre asks Bol-konsky to invite Natasha to dance. Prince Andrei looked at Natasha, remembered her conversation in Otradnoye, and invited her to dance. Bolkonsky was one of the best dancers of his time, Natasha also danced superbly. Revival of Prince Andrei. At first, the prince invited Natasha only because he wanted to distract himself from the conversations about politics with which everyone approached him, but when he felt Natasha so close, “the wine of her charms hit him in the head, he felt revived and rejuvenated.”

Cheerful disposition of Natasha and her dancing throughout the whole evening. She danced with Boris, with a dozen other gentlemen. The impression made by Natasha on Prince Andrei. She was something that did not bear the imprint of lightness. He even thought, quite unexpectedly for himself, that if Natasha came up first to her cousin, and then to another lady, she would be his wife. She approached her cousin. Pierre's gloomy mood at the ball. For the first time he was offended by the position that Helen occupied in high society.

Chapter XVIII

The mood of Prince Andrei after the ball. He thought that there was something fresh, special, not Petersburg in Natasha. Bitsky's story about the meeting of the State Council. The Emperor's speech at this meeting was excellent. The indifference of Prince Andrei to this meeting. Moreover, now this event seemed to Bolkonsky insignificant. He thought that this advice could not make him happier and better. Bolkonsky at dinner with Speransky. At the entrance to the hall where the dinner was to take place, Bolkonsky heard Speransky laugh. This laugh hits him hard. And suddenly everything that seemed attractive and mysterious to Prince Andrei in Speransky became so clear and unattractive. The disappointment of Prince Andrei in Speransky and his activities. Speransky and his desire to relax after a working day seemed to Prince Andrei sad and heavy. Everything in Speransky now seems unnatural to Bolkonsky. Bolkonsky tried to quickly throw this dinner away. Arriving home, he began to remember his life as something new and wondered how he could be engaged in idle work for so long.

Visit of Prince Andrei to the Rostovs. The whole family, which Prince Andrei used to judge so severely, seemed to him made up of simple and good people. In Natasha, Bol-konsky felt the presence of that world, alien to him, that teased him so much. Singing Natasha. While singing, Bolkonsky feels that tears are coming to his throat, and something new and happy is happening in his soul. Bolkonsky's thoughts after visiting the Rostovs. He was joyful and new at heart, but he did not yet know that he was in love with Rostov. Bolkonsky recalls Pierre's words that one must believe in the possibility of happiness in order to be happy, and understands that now he himself believes in him. “Let’s leave the dead to bury the dead, but as long as you are alive, you must live and be happy,” thought Prince Andrei.

Berg invites Pierre to his house for the evening. Berg and Vera are in their apartment, waiting for the guests. Arrival of Pierre, Boris and other guests. The evening began splendidly and was like one of a thousand other evenings that take place in Petersburg.

Natasha and Prince Andrei at the evening at the Bergs. Pierre's observation of them. He cannot understand what has become of Natasha; some kind of inner light burned in her, which made her attractive. In the face of Prince Andrei, Pierre saw a youthful expression. He decides that something important is going on between them. He experiences a joyful and at the same time bitter feeling about this. Vera's conversation with Prince Andrei about feelings, about Natasha and the children's love between her and Boris.

Revival of Prince Andrei. Vera told Bolkonsky that, until recently, Natasha had not particularly liked anyone. Suddenly Bolkonsky perked up and told Pierre that he wanted to talk to him. But, without really saying anything, Bolkonsky goes to Natasha. Berg was very pleased with the reception.

Prince Andrei spends the whole day at the Rostovs. Fear in the Rostovs' house before something important that must be done. Natasha's conversation with her mother about Prince Andrei and her feelings. Natasha asks her mother if what she feels for him, and he for her, is real? She understands that she fell in love with Bolkonsky even when she saw him in Otradnoye. Rout at Helen. Pierre's gloomy mood. He struck everyone with his concentrated, gloomy and absent-minded look. Everything seems to him insignificant in comparison with eternity. Pierre is equally oppressed by his position and the feelings of Natasha and Andrei. Prince Andrei informs Pierre of his love for Natasha and his firm decision to marry her. Pierre rejoices at the happiness of his friend. Bolkonsky says that he has not lived until now. He doubts whether Natasha can love him, because he is old for her. Bolkonsky says that the world is now divided for him into two parts: one, where she and all happiness, and the other - where she is not, there is despondency and emptiness. Pierre looks at Bolkonsky with tenderness and sadness: the brighter the fate of his friend seems to him, the darker his own.

Chapter XXIII material from the site

The trip of Prince Andrei to his father for permission to the same thread. The old prince, as an indispensable condition for his consent, puts a postponement of his son's marriage for a year. He cannot understand how someone decided to change something in his life, to introduce something new when his life was already over. Bolkonsky sees that the old prince hopes that Andrey's feelings for Natasha will pass within a year, or at least the old prince will die by this time and see nothing. Natasha's vain expectations of Prince Andrey. For three weeks Natasha waited, did not go anywhere, was dull and idle. One day she passed by a large mirror, stopped near it, and the state of self-love and self-admiration returned to her. Arrival of Prince Andrew. Bolkonsky explains to Natasha the reason for his absence: he had to move out! to the father. His proposal to Natasha. Bolkonsky tells the countess that his father wants them to wait a year. Excitement and tears of Natasha. Her chagrin at the postponement of the wedding. Prince Andrei tells Natasha that the engagement will remain a secret, she is free, and if she wants, then in a year he will be happy. Natasha says that she will do everything, although a year is an awful lot.

Relations between Prince Andrei and Natasha after the engagement. Bolkonsky visited the Rostovs every day, but did not behave like a groom: he said “you” to Natasha, kissed only his hand. Between them became a simple, close relationship. The Rostov family gets used to Bolkonsky. At first they felt awkward, but after a few days they got used to him and continued to lead their usual way of life with him. The relationship of the household to the bride and groom. There was that poetic boredom and silence in the house, which happens in the presence of the bride and groom. Natasha and Prince Andrei, left alone, rarely talked about their future, more often they were silent. Natasha was absolutely happy, but the thought of the impending separation frightened her. Parting of Natasha with Prince Andrei. Bolkonsky asks Natasha that no matter what happens during his departure, so that she always turns to Pierre for help, because he has a heart of gold. Natasha does not cry at the moment of parting, as if she does not understand what awaits her. She remains in a state of illness for a week. But then, unexpectedly for everyone, Natasha woke up from her illness and became the same as before, “but only with an invariably moral physiognomy, like children with a different face get out of bed after a long illness.”

The weakening of the health and character of the old prince Bol-konsky. All outbursts of anger with a new layer fall on Marya. He constantly insults her, but she tries to find the strength in her soul to forgive her father. Strengthening his irritability against Princess Mary. Prince Andrei arrives for a short time. He talks to his father, then they both leave the office dissatisfied with each other. Prince Andrei does not say anything about his love for Natasha to his sister. Letter from Princess Marya Julie Karagina. In this letter, Princess Marya writes about the changes that have taken place with Andrei. She believes that he probably realized that life was not over for him. She cannot believe the rumor Julie told her about: Bolkonsky cannot marry Rostova. She frankly admits that she does not want this.

Princess Marya receiving a letter from her brother announcing her engagement to Rostova and asking her to work with her father to reduce the appointed time. The whole letter literally breathes with love for Natasha and trust in her sister. Bolkonsky writes that only now he understood life. After thinking a little, Marya gives the letter to her father and hears in response that he should wait until his father dies, this is not for long. The irritation of the old prince against his son and the intention to marry the Frenchwoman Bourienne. The hidden dream and hope of Princess Marya to leave her family and worries about worldly affairs and become a wanderer. She does not understand why people are so short-sighted, they do not see that in this fleeting life there is no happiness for which everyone is fighting. But Christ taught that this life is only a test. Princess Mary is convinced of her intention to go wandering. But then, when she looked at her father and nephew, she realized that she loved them. stronger than God and cannot leave.

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From the day his wife arrived in Moscow, Pierre was going to leave somewhere, just so as not to be with her. Soon after the Rostovs' arrival in Moscow, the impression that Natasha made on him made him hasten to fulfill his intention. He went to Tver to the widow of Iosif Alekseevich, who had long promised to give him the papers of the deceased. When Pierre returned to Moscow, he received a letter from Marya Dmitrievna, who called him to her on a very important matter concerning Andrei Bolkonsky and his bride. Pierre avoided Natasha. It seemed to him that he had a stronger feeling for her than that which a married man should have for his friend's fiancee. And some kind of fate constantly brought him together with her. "What happened? And what do they care about me? he thought as he dressed to go to Marya Dmitrievna's. “Prince Andrei would have come as soon as possible and would have married her!” thought Pierre on his way to Akhrosimova. On Tverskoy Boulevard someone called out to him. — Pierre! Have you arrived long time ago? a familiar voice called out to him. Pierre raised his head. In a double sleigh, on two gray trotters throwing snow at the heads of the sleigh, Anatole flashed by with his constant comrade Makarin. Anatole sat straight, in the classic pose of military dandies, wrapping the bottom of his face with a beaver collar and bending his head slightly. His face was ruddy and fresh, his hat with a white plume was pulled to one side, revealing his hair, curled, oiled and showered with fine snow. “And right, here is a real sage! thought Pierre, “he sees nothing further than a real moment of pleasure, nothing disturbs him, and therefore he is always cheerful, satisfied and calm. What would I give to be like him!” Pierre thought enviously. In the hall, Akhrosimova, the footman, taking off his fur coat from Pierre, said that Marya Dmitrievna was asked to go to her bedroom. Opening the door to the hall, Pierre saw Natasha sitting by the window, with a thin, pale and angry face. She looked back at him, frowned, and with an expression of cold dignity went out of the room. - What happened? asked Pierre, going in to Marya Dmitrievna. "Good deeds," replied Marya Dmitrievna. “I have lived in the world for fifty-eight years, I have never seen such shame. - And, taking Pierre's word of honor to remain silent about everything that he learns, Marya Dmitrievna informed him that Natasha had refused her fiancé without the knowledge of her parents, that the reason for this refusal was Anatole Kuragin, with whom her wife Pierre had taken and with whom Natasha wanted to run away in the absence of his father, in order to secretly marry. Pierre, raising his shoulders and opening his mouth, listened to what Marya Dmitrievna was telling him, not believing his ears. To the bride of Prince Andrei, so much loved, this formerly sweet Natasha Rostova, to exchange Bolkonsky for the fool Anatole, already married (Pierre knew the secret of his marriage), and fall in love with him so much as to agree to run away with him! - this Pierre could not understand and could not imagine. The sweet impression of Natasha, whom he had known since childhood, could not unite in his soul with a new idea of ​​her baseness, stupidity and cruelty. He remembered his wife. “They are all the same,” he said to himself, thinking that he was not the only one who had the sad fate of being associated with a nasty woman. But all the same, he felt sorry for Prince Andrei to tears, it was a pity for his pride. And the more he felt sorry for his friend, the more contempt and even disgust he thought about this Natasha, with such an expression of cold dignity, who now passed him along the hall. He did not know that Natasha's soul was filled with despair, shame, humiliation, and that it was not her fault that her face inadvertently expressed calm dignity and severity. - Yes, how to get married! said Pierre to the words of Marya Dmitrievna. - He could not get married: he is married. "It doesn't get any easier from hour to hour," said Marya Dmitrievna. - Good boy! That's a scoundrel! And she waits, the second day she waits. At least she won't wait, I should tell her. Having learned from Pierre the details of Anatole's marriage, pouring out her anger on him with abusive words, Marya Dmitrievna told him what she had called him for. Marya Dmitrievna was afraid that the count or Bolkonsky, who could arrive at any moment, having learned the matter that she intended to hide from them, would not challenge Kuragin to a duel, and therefore asked him to order his brother-in-law to leave Moscow on her behalf and not dare to appear to her on the eyes. Pierre promised her to fulfill her desire, only now realizing the danger that threatened the old count, and Nikolai, and Prince Andrei. Briefly and accurately setting out her demands to him, she let him into the living room. “Look, the Count knows nothing. You act as if you know nothing,” she told him. “And I’ll go tell her that there’s nothing to wait for!” Yes, stay to dinner, if you want, - Marya Dmitrievna shouted to Pierre. Pierre met the old count. He was embarrassed and upset. That morning, Natasha told him that she had refused Bolkonsky. “Trouble, trouble, mon cher,” he said to Pierre, “trouble with these girls without a mother; I'm so sad that I came. I will be frank with you. They heard that she refused the groom, without asking anyone for anything. Let's face it, I've never been very happy about this marriage. Let's suppose he good man, but well, there would be no happiness against the will of the father, and Natasha will not be left without suitors. Yes, after all, this has been going on for a long time, and how could it be without a father, without a mother, such a step! And now she's sick and God knows what! It’s bad, count, it’s bad with daughters without a mother ... - Pierre saw that the count was very upset, tried to turn the conversation to another subject, but the count again returned to his grief. Sonya entered the living room with a worried face. - Natasha is not completely healthy; she is in her room and would like to see you. Marya Dmitrievna is at her place and asks you too. “Yes, because you are very friendly with Bolkonsky, it’s true that he wants to convey something,” said the count. - Oh, my God, my God! How good everything was! And, taking hold of the sparse temples of gray hair, the count left the room. Marya Dmitrievna announced to Natasha that Anatole was married. Natasha did not want to believe her and demanded confirmation of this from Pierre himself. Sonya told this to Pierre while she was escorting him through the corridor to Natasha's room. Natasha, pale and stern, was sitting beside Marya Dmitrievna, and from the very door she met Pierre with a feverishly brilliant, inquiring look. She did not smile, did not nod her head at him, she only looked stubbornly at him, and her glance asked him only about this: was he a friend or the same enemy, like everyone else, in relation to Anatole? By himself, Pierre obviously did not exist for her. “He knows everything,” said Marya Dmitrievna, pointing to Pierre and turning to Natasha. "He'll tell you if I told the truth." Natasha, like a wounded, driven animal, looks at the approaching dogs and hunters, looked first at one, then at the other. “Natalya Ilyinichna,” Pierre began, lowering his eyes and feeling a sense of pity for her and disgust for the operation that he was supposed to do, “whether it’s true or not, it should be all the same to you, because ... So it's not true that he's married? - No, its true. Was he married, and how long ago? she asked. - Honestly? Pierre gave her his word of honor. - Is he still here? she asked quickly. Yes, I saw him just now. She was obviously unable to speak and made signs with her hands to leave her.

PRINCE ANDREY BOLKONSKY

For the first time the reader meets this hero in St. Petersburg in the living room of Anna Pavlovna Sherer with her pregnant wife Lisa. After the dinner party, he goes to his father in the village. He leaves his wife there in the care of his father and younger sister Marya. He goes to the war of 1805 against Napoleon as Kutuzov's adjutant. Participates in the battle of Austerlitz, in which he was wounded in the head. Upon arrival home, Andrei finds the birth of his wife Lisa.

Having given birth to a son, Nikolenka, Lisa dies. Prince Andrei blames himself for being cold with his wife, not paying her due attention. After a long depression, Bolkonsky falls in love with Natasha Rostova. He offers her a hand and a heart, but at the insistence of his father postpones their marriage for a year and goes abroad. Shortly before returning, Prince Andrei receives a letter of refusal from the bride. The reason for the refusal is Natasha's romance with Anatole Kuragin. This turn of events becomes a heavy blow for Bolkonsky. He dreams of challenging Kuragin to a duel. To drown out the pain of disappointment in the woman he loves, Prince Andrei devotes himself entirely to the service.

Participates in the war of 1812 against Napoleon. During the Battle of Borodino, he received a shrapnel wound in the stomach. When moving, the wounded man accidentally meets the Rostov family, and they take care of him. Natasha, constantly blaming herself for betraying her fiancé and realizing that she still loves him, asks for forgiveness from Andrey, in the Rostovs' house

Dreams and ideals

Looking for his Toulon; wants national fame and recognition; his idol is Napoleon.

For the sake of achieving his goal, he is ready to sacrifice

"... Father, wife, sister are the people dearest to me ... I will give them all now for a minute of glory, triumph over people." "Death, wounds, loss of family, I'm not afraid of anything."

Appearance

"Prince Bolkonsky was short, a very handsome young man with definite and dry features"

The best moments of life

What changes in the hero

Sky under Austerlitz

Begins to understand insignificance "petty vanity" Napoleon compared to "high, fair and kind sky, which he saw and understood."

The prince realized the great truth - life is an absolute value. I felt my connection with infinity : "Nothing is true, except for the insignificance of everything that is clear to me, and the greatness of something incomprehensible, but the most important."

Discovering the wealth of a peaceful life

Returning from French captivity, Bolkonsky learns about the death of his wife. Will forever remain in his memory "dead reproachful face" little princess. From that moment on, Prince Andrei will be tormented by thoughts of the neglect with which he treated his wife, he will understand and realize the value of family happiness, the joy of everyday life among relatives: father, sister, son Nikolenka.

The prince repents of his ambitious dreams, the natural needs of love and kindness rise in his soul.

Meeting with Pierre in Bogucharovo

“The meeting with Pierre was for Prince Andrei the era from which began, although in appearance the same, but in the inner world, his new life.” Pierre "infects" Prince Andrei with his faith in people, in not only earthly life, but also eternal life, in God.

Prince Andrei accepts some of Pierre's beliefs, which have a beneficial effect on Bolkonsky. Now the prince can confess to himself: “How happy and calm I would be if I could now say: “Lord, have mercy on me.”

Meeting with Natasha Rostova in Otradnoe

Returns to "living life", begins to feel the joy of communicating with big world, people. In this state, Prince Andrei hurries to enter the spheres of state activity close to him, converges with Speransky.

Natasha's emotionality, her sincerity and delight give impetus to the spiritual rebirth of the prince.

Love for Natasha Rostova

He changes his attitude towards Speransky, whom he has already begun to regard as an idol, notices in himself a disregard for the matter in which he was so interested before: “Can it make me happier and better?”.

The prince becomes happier and better from the feeling that Natasha Rostova awakens in his soul

Participation in the war of 1812 In the army, the prince becomes a caring and attentive commander. He refuses an offer to serve in the army headquarters, he does not care about dreams of personal glory. The soldiers call him "our prince".

During the battle of Borodino, Bolkonsky fulfills his duty, he is driven not by the desire for personal glory, but by the officer’s sense of honor, hatred for the enemy who ruined him native land, his Bald Mountains.

Forgiveness of Anatole Kuragin

Seeing how the leg of Anatole Kuragin was amputated, the prince felt sincere sympathy for the pain and suffering of this man: "Blossomed ... the flower of love in the spring, free, independent of this life ..."

The revival of love for Natasha Rostova After a serious injury, she experiences a passionate desire to live. It is at these moments that love for Natasha Rostova returns to him. But this is a different feeling. “... for the first time he imagined her soul. For the first time, I understood the cruelty of breaking up with her.

Death of Andrei Bolkonsky

“The more he, in those hours of suffering solitude and semi-delusion that he spent after his wound, thought about a new, open beginning eternal love Moreover, he himself, without feeling it, renounced earthly life. To love everything, to love everyone, to always sacrifice oneself for love meant not to love anyone, it meant not to live this earthly life.

The fate of Andrei Bolkonsky is the path of a person who makes mistakes and is able to atone for his guilt, striving for moral perfection. Initiation to the feeling of eternal love revived the strength of spirit in Prince Andrei, and he accomplished the most difficult, according to Tolstoy, deed - he died calmly and with dignity. And death became the “moment of truth” of his life.

Stages in the development of the personality of Andrei Bolkonsky

battle of austerlitz

The participation of Prince Andrei in the war of 1805 is connected with his ambitious dreams of glory, of his "Tulon". The fascination with Napoleon was characteristic of many representatives of the advanced noble youth of the early XIX century. But Andrei craved not only personal glory, but also happiness for people. Tolstoy distinguishes him from the crowd of staff careerists (such as Zherkov and Drubetskoy). Overcoming the "Napoleonic" beginning, the desire to become higher than the people around him ends this stage in Andrei's life. The sky of Austerlitz helped Prince Andrei to understand that both admiration for Napoleon and his dream of becoming the savior of the Russian army were just a delusion.

Meeting with Pierre and Natasha

Disappointed in the former ideals, having experienced grief of loss, repentance, Prince Andrei is sure that he understood what happiness is: in the absence of illness and remorse. But Pierre (in a dispute on the ferry) proves to him that one must believe in the goodness and high destiny of man. And the meeting with Natasha saves Prince Andrei from a spiritual crisis, awakens in him love and a desire to live.

battle of Borodino

AT Patriotic war 1812, the fate of the prince for the first time merges with the fate of the people. He returns to the army with the same sense of offended national pride that leads ordinary Russian soldiers into battle. In the battle of Borodino (unlike Austerlitz), the prince accomplishes a real moral feat, achieves harmony with himself and understands that the main purpose of a person is to serve the interests of his native people.

Prince Andrei dies from a wound received on the Borodino field. Tolstoy reconciles him not only with Natasha, but with the whole wide world, including the wounded Anatole Kuragin. The writer put into the image of Prince Andrei his cherished idea that life is governed only by love and kindness, and without them neither true perfection nor deliverance from torment and contradictions is possible.

PIERRE BEZUKHOV

The illegitimate son of a great nobleman, who inherited the title of count and a huge fortune. Respect for him in the world is based on his property status. Openness of behavior and independence of thought distinguish him from the guests of the Scherer salon.

His spiritual properties are revealed in the very first description: when he smiles, his “serious and even somewhat angular face disappears and another one appears - childish, kind.” Due to his youth and under the influence of his environment, he makes many mistakes: he leads a reckless life of a secular reveler and loafer, allows Prince Vasily Kuragin to rob himself and marry Helen.

Before us is a man, just like Andrei Bolkonsky, who is looking for a business to which he could devote his life. He does not want and cannot be satisfied with secular values. He is characterized by dramatic delusions, inconsistency of character, he combines intelligence with naivety and innocence, intertwines good and bad (the image is largely autobiographical). He is a man of his era, living its interests and spiritual mood.

Not seeing his place in life, not knowing where to put his strength, at first he leads a wild life in the company of Dolokhov and Kuragin. Open and kind, often turns out to be defenseless before the skillful play of others. He does not know how to correctly evaluate people and is too often mistaken in them.

Like Andrei, his moral development begins with a delusion - the deification of Napoleon. The novel shows several stages in the development of Pierre's personality. The main events in his life: joining Freemasonry, the war of 1812 (Battle of Borodino, captivity, execution of arsonists), meeting with Platon Karataev, marrying Natasha Rostova, fascination with the ideas of the Decembrists.

Stages in the development of the personality of Pierre Bezukhov

freemasonry

The duel with Dolokhov brought Pierre to a shock: he realized that he was able to "encroach" on a person's life, and is trying to find moral support. The falsity of secular society becomes hateful to him, the search for the meaning of life begins. This leads to Freemasonry, which he adopted as a doctrine of equality, brotherhood and love. He sincerely seeks to alleviate the situation of the peasants (up to their liberation from serfdom). But he soon becomes convinced of the futility of the Masonic movement and departs from it.

War of 1812

The war awakened patriotic feelings in Pierre and sharpened national self-awareness. With his own money, he equips a thousand militia, while he himself remains in Moscow to kill Napoleon and "to end the misfortunes of all Europe." Having decided to execute the French emperor, he, according to Tolstoy, became the same madman as Prince Andrei was under Austerlitz, intending to save the army alone. Once on the Borodino field at the time of the battle, Pierre understands that history is created not by a person, but by the people.

Meeting with Platon Karataev

Platon Karataev brings peace to the souls of all people. This is an amazing person: he does not grumble about anything, does not blame anyone - kindness itself. From him, Pierre gains wisdom, in communication with him "finds the calmness and self-satisfaction for which he vainly sought before." Karataev becomes the main moral measure for Pierre.

Marriage, passion for the ideas of the Decembrists

Having married Natasha, for the first time he feels truly happy. Carried away by radical ideas, he believes that society can be changed through the efforts of several thousand honest people. Decembrism is his new delusion, similar in meaning to Andrei's attempt to get involved in changing Russian life "from above". Not a genius, not an "order" of the Decembrists, but the moral efforts of the entire nation - this is the path to a real change in society. According to L.N. Tolstoy, the hero, was to be exiled to Siberia. Having survived the collapse of false hopes, he will come to the final understanding of the true laws of life.