O naked women in sequins and pompoms on their chests. From the outside, burlesque looks almost like a striptease. In fact, this is a feminist show, a celebration of female beauty in all its forms. A burlesque performer doesn't have to be like Dita Von Teese. Here it is the size of charisma that matters, not the chest, and a salty joke is valued more than the ability to bend the body. However, as always, there are exceptions. Talked to ( @anjapavlova) about patriarchal morality and perception of the female body in Russia.

ABOUT STANDARDS AND CHICKS

CILANTRO: I read in your interviews several completely different stories about how you came to burlesque.

Anya: Every time I come up with new ones, otherwise it’s boring. I was a flirty girl, I always wanted to be beautiful. I studied at a school where all the children had middle class parents. But my family is not. And to stand out, I started dressing in my grandmother’s vintage dresses and coming up with retro stories. When I was 20, I started dancing and realized that I wanted to do it professionally. But how? And then, quite by accident, I came across a video of burlesque, and something clicked inside, everything coincided.

Do you remember your first show?

Yes. An absolutely terrible restaurant in Moscow, I was very worried. In the front row at a table sat a girl my age who smiled broadly and laughed good-naturedly. I thought: “If there are people like that in the room, then everything is fine.”

The first time I didn’t even undress. Danced to Peggy Lee's song“ I’ve got the world on a string” . She did a four-minute dance, burst into tears and left.

“She burst into tears and left” – is this a figure of speech or did it really happen?

It was from emotions, I was very embarrassed. And for the first year and a half, like probably all creative people, there was a huge gap between who you want to be and what you are. It's very painful. I remember well how I was worried that I was fat, etc. Not yet in the States.

What are the requirements for a burlesque artist in Russia? Do you want a beautiful chick?

Certainly. In Europe and in Russia in particular, burlesque is valued for its classic retro charm. They want very beautiful chicks, but they also want them to smile less, especially in Russia, where funny means somehow not very good.

In Russia, burlesque is a commercial story; we perform primarily at corporate events. And if you want to earn money, you must meet the magazine ideals of beauty. Although, if you think about it, few of the modern burlesque stars strive for a model appearance, because it is not very attractive sexually.

In America, you either present a beautiful picture, or you are an incredibly artistically bright and memorable character, such as Dirty Martini, which was shot by Karl Lagerfeld for Chanel.

But in Russia, yes, I’m fat. I love reading comments about this on the Internet.

Dirty Martini in Chanel campaign

dita

Dita Von Teese

I read that at some point you lost weight.

Very strong, about 10 kilograms. Not from a good life. I was very depressed, I just stopped eating. Naturally, I dialed it later. I came out of the crisis a renewed person.

And which body do you like best?

Three years ago I weighed 70 kg, now I weigh 58. Both are good. Because this is my body. Because nothing good has yet come out of treating the body as a material from which something can be made. I love myself absolutely any way. And burlesque helps a lot in this regard: I watch and understand how different we all are. Among my colleagues there are thin, fit girls with huge silicone breasts, and there are also full, soft, natural ones. An artist's success does not depend on size.

ABOUT NUDE

How much nudity do you show on the show?

As far as the burlesque genre allows. Always small panties and pastis - stickers on the chest. At some point, they became the hallmark of burlesque, and were initially associated with ideas about conventional decency. You can say at any time: “Sorry, of course, but I’m not naked!” But, for example, I performed at a friends wedding, and, naturally, I didn’t dance naked there. For such occasions, I have an underwear option.

How often do you encounter negativity when talking about your profession?

Only in Russia. And in Russia - almost always. Recently, after the show, people came up and said: “What you are doing is wrong. If you hadn’t taken your clothes off or danced less vulgarly, then maybe it would have been even more vulgar.” And I think: “These people paid money, knew what would happen and still condemn.” It was so funny to me. There is a lot of negativity, especially from men.

Why do you think this happens?

The reason is patriarchal morality, which implies that female sexuality must be sanctioned by a man. This is the first thing. And secondly, there is such a thing as a woman’s reputation: how come, you dance naked - no one will marry you. The funny thing is that burlesque is mainly a family business, most of my colleagues are married, some already have children.

ABOUT DOUBT

So you're more likely to face judgment than someone trying to take you somewhere into the night?

Yes. Trying to take you somewhere into the night doesn’t work at all; you learn to fight back first. A couple of times people approached me with obscene proposals, but, like any normal woman, I learned to say “no” quite early. And to get to know each other... People probably meet me on the street more often than after the show.

After the performance, burlesque actresses usually communicate with visitors to the establishment. What are you talking about?

We communicate because it's fun and enjoyable, not because it's required by contract. First they usually say thank you. And then anything can happen. For example, I have friends in Berlin, a married couple, probably the age of my parents. They moved from Australia with their adult children. They come to the show once every few months, talk about how their children are doing, what their apartment is like, and show photographs.

Do you have any prepared explanation of what burlesque is to a person who doesn’t know at all and has never heard of it?

Yes, it's a cabaret. People immediately: “Oh, I see.” In Russia I don’t even say “burlesque” because it’s difficult for people. In fact, cabaret is just a broader term.

Always, when I talk about burlesque with Russian-speaking people, I want to say, but I don’t know how to do it correctly: “There is nothing dubious in burlesque. It’s as much an art as maybe comedy.”

Because they ask: what about your reputation, what your parents think, how your mother treats you. And these questions exist because I undress in public.

Year after year, I had to answer these questions for myself, these doubts, because even my mother, who is my main fan, said: “Listen, maybe you’ll do something normal already?” In Europe and America this is socially acceptable, but in Russia everything is somehow cramped and sad.

When sexuality comes into play, even in such a playful form as burlesque, questions immediately begin. I would like them to become less and less over time, at least among the girls themselves who want to do this.

I hope that someday people, especially in Russia, will understand that you can do absolutely whatever you want. And there's nothing wrong with being a burlesque performer, there's nothing weird about it. After all, there is nothing strange about being a singer. In being a comedian or performing in a circus, too.

Photo: Anya Pavlova, Chanel, The Same Anna Photo, Rica Rosa

The world star of burlesque, Russian Dita von Teese, Mata Hari of the 21st century - this is the name of Anna Pavlova, a Muscovite who ten years ago chose dancing over the humanities and set off to conquer America and Europe with a suitcase of shiny dresses. On March 7 and 8, the artist performs her show Ladies Of Burlesque in Moscow. And in an interview with InStyle she explains why burlesque is the art of smart and beautiful women.

Wearing Christian Louboutin boots, HStern earrings, Dior bracelets and rings, the costume is the property of the heroine

How did a girl with a diploma from the Faculty of Philosophy of Moscow State University come to burlesque? When I graduated from Moscow State University and briefly worked as an English teacher at school, I thought: “God, I’ve been smart all my life - I want to be beautiful!” It turned out that you can combine both of these qualities and even have your own show. I always wanted to be an artist and gradually worked towards this. First I learned how to sew costumes, then dance in them, and last year I presented my Ladies of Burlesque show in Moscow. And besides, I have admired women all my life. And burlesque is a women's environment. There are women artists, women producers, women photographers and women audiences. For every 60 spectators there are only about 10 men.

How did it all begin? Do you remember your first performance? I remember it took place in a terrible restaurant on Tula. There was such a hole in the floor on the stage that all I could think about was how not to fall into it. But no matter how difficult it was - and it was difficult, and disgusting, and physically unbearably difficult - the desire to give people joy won out. After all, people come to burlesque shows for female beauty - this is a language that everyone speaks, regardless of age, sexual orientation, or nationality.

How is your show received in Moscow? The Moscow public is very spoiled, because they have everything here: wonderful ballet, concerts, high-level shows. On the other hand, for Moscow burlesque is a new genre. Our show is very intimate, the audience sits 30 centimeters from the stage, they can hear me breathing! Muscovites are not yet accustomed to such intimacy. I've been living in Berlin for a year now and I can say that the European public is more relaxed and not so demanding. In Europe, burlesque has been on a crazy rise for the last ten years. And in Russia there are shows only in Moscow, St. Petersburg and Krasnoyarsk.

You once said that in order to engage in burlesque, you need good capital. The upper limit of financial investment is truly unlimited, but the main thing is that the suit looks like it cannot be bought in a store. It should look luxurious and rich, while “rich” does not mean expensive. For my first performance in 2009, I simply bought a dress from H&M and embroidered it with rhinestones and sparkles. And, yes, beauty in burlesque is not necessarily a young beauty with plump lips. Good taste and charisma are what matters.

What do you mean by good taste? Consistency. I once really loved Japanese fashion, then the Gothic Lolita style and vintage. But in the end I came to the conclusion that I always wear only black. And I love Rick Owens and Vivienne Westwood!

Can burlesque be called art? Yes, and this is an absolutely original genre. No one uses the services of choreographers or directors; each artist comes up with her own story, image and style. My style is “Russian Seasons”, Belle Époque, 1920s, I love it all. Burlesque is the art of being extravagant without being vulgar. This is an art in which you can be beautiful on your own terms. And, of course, burlesque is for workaholics. I work seven days a week. In English there is a concept: overachiever. This is when you need to constantly surpass yourself. That's who I am.

Which women do you think are worth emulating? I personally admire Madonna, although I have never been a fan of her work. How old is she? Almost 60! And she still works like crazy, constantly changes and remains fashionable. I really like her desire to always keep up with the times.

What does it even mean to be a strong woman now? I think it's the freedom to make choices openly and honestly and to feel comfortable with those choices. If a woman wants to stay at home with her children and realize herself through them, this is also a manifestation of strength, because this is her choice. And she does not have to be financially independent. Until I was 23, my biggest fear was that I would never get married, I would wake up at night and think: “God, what if I die alone?” Then my mother asked me: “What do you even want to do?” I answered: “I want to dance.” “So come on, dance!” - said mom. And I realized: well, I won’t get married - and okay, the main thing is that I will be happy on my own terms! I started doing burlesque, and at first everyone looked at me like I was crazy, but now I give interviews, and people of decent income and with a good education come to my show. And this is the audience with which I want to continue to associate myself.

Text: Zlata Fetisova

Style: Madina Alieva

photographer: Katya Starostina

Anya Pavlova

BURLESQUE ARTIST

In burlesque
don't be shy
stretch marks - we just cover
their glitter

About care

I laugh all the time that I chose a job for myself where every trip to a beauty salon and every new lipstick is an investment, not a waste of money. On the other hand, I can’t say that I devote a lot of time to self-care. I try to do nourishing face masks every 3–4 days, a coconut oil hair mask once a week, and a coffee and olive oil scrub for the whole body once every 7–10 days. In conditions of constant travel and running around, the best solution for hands turned out to be gel nails, which, despite many shortcomings, can look neat for at least 8-15 days until they begin to grow strongly.

To be honest, the most difficult thing in all self-care was not a smooth face or silky hair (to save time and confidence in the result, I almost always perform in a wig), but smooth skin everywhere, especially on my legs and back. In winter, this means a constant struggle with dryness (coconut oil helps), in summer - with traces of an uneven tan (self-tanning helps) and bruises (on the whole body, but in no case on the face). And yes, everyone has cellulite and stretch marks, and burlesque performers are not ashamed to admit it - we just cover them with glitter.

I fly quite a lot, and often I have to go to a performance right after the plane. In this case, I always try to immediately remove my makeup with coconut oil, give myself a facial massage, wash my face, apply a nourishing mask and sleep for at least 20-25 minutes, then wash off the mask and drink a couple of glasses of water. On a flight, I always use a denser shade than in everyday life, and I always paint my lips with moisturizing lipstick.

About daytime makeup and stage look

I really love cosmetics, but I don’t really like to experiment in everyday life, so my daily look is always about the same: an even tone (I add moisturizer and a couple of drops of liquid highlighter to my foundation for an even glow), dark wide eyebrows, which I draw with black shadows , thickly painted eyelashes with mascara (lower and upper), definitely a powder highlighter, peach blush and transparent powder. In the evening - dark lipstick: burgundy, purple, black or blue. I used to twist retro curls on my head every day, but at some point I got tired of them and now most often I wear my hair loose, even if this means that I now spend three times more money on care.

How do I put on makeup on the show and do we have a makeup standard? The first performers of modern burlesque spent a lot of time with, and almost all of us now learn makeup from them. And, to be honest, we really love reading on the Internet discussions about how someone has once again been mistaken for a man in makeup - this is the best compliment! Stage makeup should be very, very bright, catchy and complement the rest of the image well. Everyone uses glitter to some extent (on their eyes or lips), crazy false eyelashes and, of course, .

Since I usually do 20's style shows, my usual makeup- this is a flapper girl: a hard contour of the cheekbones and nose, blush in a soft oval over the entire cheek, very thin eyebrows lowered from the outside to the corner of the eye, shiny silver or gold shadows on the main eyelid and black matte ones around the perimeter. Two pairs of false eyelashes, lower and upper (sometimes more, if the room is very large, I glue several pairs of eyelashes together so that the eyes are at least somehow visible). The mouth is rounded - I don't paint the corners, and it turns out to be a "Cupid's bow" in the style of the 20s. In general, of course, this is where it’s terribly interesting to experiment, sometimes to the detriment of beauty - drawing eyelashes on the cheeks, making ombre lips of crazy colors or completely covering up the eyebrows. And it’s great that this is usually expected of us, burlesque performers!

Cosmetics for a performance should be highly pigmented, long-lasting and always hypoallergenic - you often spend more than one hour in it and sweat for some time under the spotlights. Everyone really loves long-lasting matte lipsticks from MAC because they will definitely withstand two appearances on stage, five, and a couple of martinis after the performance.

About body requirements

Good physical shape is an important, but not mandatory part of my work. The fact is that if you more or less fit modern beauty standards, you get more appearances at corporate and private events, which are very well paid. Understanding that my face and body are business assets helps me a lot not to be lazy and relax, and to think three times before ordering a piece of cake or skipping a workout. I almost never eat sweets or starchy foods, and definitely never fatty foods (although who am I kidding, kebab at four in the morning after a show is generally the main thing worth living for). I don't drink carbonated drinks.

I try to go for a massage if possible. When I find myself in one place for more than a week, I sign up for a swimming pool; this is probably the only thing at this stage that I can call my hobby. And, of course, I dance a lot, at every opportunity I take dance lessons or just go to a social dance party: swing or tango is not only an opportunity to socialize and make new acquaintances, but also an unnoticeable and harmonious load on the whole body. And good music also helps you relax and get distracted and, at least for a while, forget about the fact that you need to run home to fix your suits and that there are 30 unanswered letters in the mail with an asterisk. If there is no way to go out somewhere and exercise, I simply give myself an hour of stretching with a good movie, a cup of tea or a glass of wine (don’t tell anyone about the wine).

About aromas and character

I rarely wear perfume, I always try to make it a special event, so as not to get used to the smell and always feel it in full. But if I do use it, in winter I really love leather and wood scents, such as Serge Lutens Daim Blond or Fueguia 1833 Équation. For the summer I always really love delicate and playful feminine scents like Marc Jacobs Lola (although I probably love their bottles first of all). Now I really want to find some very strict and, perhaps, a little masculine perfume for myself, but there are so many possibilities that the search has already been going on for months.

My colleagues and I often discuss that burlesque and cabaret are generally not work for the faint of heart: endless travel from place to place with 30 kilograms of luggage on fragile shoulders, long hours of waiting, often the inability to be alone with oneself or, conversely, constant loneliness in road, incomprehensible food and sleepless nights and days. But in the end, all this becomes completely unimportant - the moment you put on makeup, put on a suit and are ready to go on stage, you really become that same picture from the cover of an old magazine.

About the decision to become a burlesque performer

As a child, I studied ballet, but it didn’t work out for me. Then I studied at a music school, and after the 11th grade I entered the Faculty of Philosophy of Moscow State University. In 2010, I defended my diploma in the specialty “Philosophy of Religion and Religious Studies,” but it was a mistake of my youth: by the 3rd year it became clear that I would not connect my life with this.

After graduating from university, I worked as an English teacher at school for a year and a half. Then, by chance, I began to come across all sorts of information on burlesque. I have always been interested in the history of fashion and cinema, jazz music, cabaret, and suddenly I caught myself thinking that I would really like to be in this, because burlesque is beautiful and it does not fit in any way with the idea that a woman should stay at home and raise children.

I began to read about burlesque, and I also traveled a lot and on all my trips I tried to find master classes, ordered educational DVDs from leading schools, and watched videos on YouTube on the topic. In general, I taught myself. Then there were few artists in Russia, and even now there are only about 15 people in the whole country. There were no schools, and almost no shows. I started my burlesque career by teaching. In 2011, I recruited the first group in Moscow, and it was a shock, because forty people came to the first lesson. During the day I worked at a school and taught burlesque in the evenings. My first group lasted a year and a half: I taught choreography, and we also studied burlesque as a cultural phenomenon.

Burlesque in modern vision is an art that experiments with archetypes in relation to gender and sexuality

Then I realized that if I continue to work as a teacher, my whole life will be predictable until retirement. And if I try to leave this understandable scenario, then no one knows where it will take me. The first few years I performed in Moscow at corporate events and in restaurants - it wasn’t very fun, but at least it was something.

Then I lived for six months in America, then in Kyiv, and then I traveled. Four months ago I moved to live in Berlin. My moves are due to the fact that there are more opportunities for growth abroad. Here you can make burlesque your career. Berlin has a very large community of burlesque performers - friendly and open. Now I perform two to four times a week, I physically can’t anymore. This year I even performed in Lebanon - they say it was the first burlesque show in the history of the country. I've been to most of Europe over the past five years, and also performed a lot in San Francisco when I lived there. What helped me most in my burlesque career was English: I studied it from the age of three, my parents paid attention to it - and ultimately it helped me fit into the global community.

What is burlesque

Burlesque originated in the 1860s and 1870s in America as satirical theater - roughly what is now called stand-up comedy. At first these were topical performances based on ancient themes, and the main feature was that the performances were performed only by women. At the end of the 19th century, a woman was supposed to sit quietly at home, give birth to children and not interfere in public life. And the burlesque theater performers came on stage and were very funny, witty and, perhaps, aggressive - this was a huge breakthrough. From the end of the 19th century to the mid-1960s, burlesque went from satirical theater with big shows to striptease, but even then it was performed with music, using complex props and costumes. By the 1970s, burlesque ended because strip clubs appeared. Somewhere after the 90s, burlesque returned, turning from a striptease trend into a feminist art, where 70% of the audience is always women. And this is the burlesque that I do.

Many burlesque numbers are unpleasant to watch

There is classic burlesque, which consists of corsets, rhinestones, large props, and styling. And there is neo-burlesque, which deals more with comedy or some kind of shock factor. The aesthetics of the dance can be absolutely anything, the music too. This is the magic of burlesque - it can be anything as long as the performer takes off his clothes or puts them on (this is called a reverse striptease). Burlesque in the modern vision is an art that experiments with archetypes in relation to gender and sexuality. In the 21st century, male burlesque appeared, and now an artist or performer can dress up as they like - in teapot or brick costumes. There's an absolutely stunning number by an LGBT artist where she's wearing a pink triangle, and even if you don't understand what it's about, it's very touching. And those who understand cry in the end.

Burlesque is not objectification, but sex positivity. Firstly, in burlesque no one is completely naked: there are always stickers on nipples and small panties, this is the rule of any show. Secondly, striptease is a service; people go to it when they want to see a naked body. And he just deals with objectification. Many burlesque numbers are unpleasant to watch: they can be experimental, sad, aggressive. Burlesque allows you to play by your own rules and express your sexuality visually in your own style. For me it is very emotional, touching, dreamy and joyful. For some it is more aggressive, languid, tragic or funny. And it's a very personal genre. In burlesque, no one has a choreographer, costume designer, or agent. We do everything ourselves.

Who can perform in burlesque

Anyone can become an entertainer or burlesque performer. You need two things: good taste and start-up capital. Burlesque is not just a dance. If you are a very bad dancer, but you can joke well, you can joke and take off your clothes at the same time. If you sing, you can sing and take off your clothes. The main thing is charisma. But, I won’t lie, not everyone can do this at a professional level.

For example, I don’t have any special choreographic training, but I dance. And for me, it’s a story told through the costume and the body shape that lies underneath the outfit. I have a number that I did in the wake of my passion for Lev Bakst: two years ago it was precisely the 150th anniversary of his birth. It begins with me standing in a large shapeless cocoon coat from the beginning of the 20th century - and there is no body at all. The coat is taken off, and underneath is a shapeless dress. And inside is a fully embroidered costume in the style of stage costumes. Mats Hari Exotic dancer and courtesan. She was widely known in Europe as an “oriental style” dancer.. At the end, a large luminous ball appears, which at some point becomes the only source of light in the hall. The moon has always been a symbol of femininity, and the whole story is about how you gradually fall in love with your feminine side. I came up with this number when I met my future husband. This is how I experienced my fragile love.

How does a burlesque show work and how much does it cost?

As a rule, one program includes performances by several artists - this is what is called a variety show. From two to six people perform, each of whom performs from one to three numbers. One show lasts from forty minutes to two and a half hours, and an act runs from three and a half to eight minutes. Now I have six numbers, not counting the cases when I am asked to dance with fans at corporate events. But I often change the music because it’s not interesting to dance to the same thing.

There is usually an entertainer, as well as a special person for all burlesque shows - a stage kitten, who collects costume pieces left on stage. The show can take place anywhere: I have performed in a theater for 750 people, and in bars for 30. Burlesque works in almost any room. I have also performed in the States at bachelorette parties at home.

We all have cellulite and we wear it with pride.

Burlesque is an expensive activity. The performance must look great, and for this you need to spend a lot of money on costumes, props and makeup. My suits cost from 700 to 2000 euros per suit. The more you invest, the more they are willing to pay you. I make all the costumes myself, but the materials are very expensive. Ostrich feathers cannot be cheap. Many people sew their own suits, but this is completely optional; some have them made to order, and this is not considered something shameful. For example, I make costumes for other artists. One suit takes from two days to two and a half years to make. My “Bakst” is 200 hours of bead embroidery alone. I have seven costumes in total, and I’m currently making my eighth.

A burlesque performer is a freelancer. It's very rare that you hit the jackpot and start working in a big variety show under a contract, but then you dance the same thing every night for two years. I don't know anyone who makes crazy money. Except that Dita Von Teese American burlesque performer, but she is a business empire. Due to the fact that she is a very talented artist, she is able to earn money by selling lingerie and other related products. But if you work hard, you can live quite well. This is my only source of income.

About age and beauty in burlesque

In the understanding of most Russians, you are a woman until you are 30, and then that’s it. The other day I turn 30 years old, and I am one of the youngest artists among my colleagues. The average age of a burlesque performer is 33–42 years. There are also those who perform at 50, 60 and 80 years old.

Many friends tried to get me a job as a secretary, tutor, translator, although I earned decent money and was successful

We all have cellulite, and so do we. Cellulite won't make you loved less, but the public won't forgive you if you don't give 100%. We do not hide stretch marks, moles, or tattoos. Your wealth does not depend on youth and thinness, but rather on your inner sense of self. We have a lot of overweight artists and very skinny ones who have absolutely amazing charisma. And a very beautiful girl can be very boring to look at.

Burlesque is predominantly made by women for women. The community is 70% female, 25% gay men, and 5% straight men. And, for example, scandals in burlesque are almost impossible, because in this case the person will immediately leave the industry. And it’s mostly women who watch us because they feel similar. Sometimes it’s an opportunity to see a version of yourself: “They’re just like me, with cellulite, but beautiful and confident.”

About the public reaction

Sometimes, if they ask me what I do, I say that I dance in a variety show. People don't know what it is and are afraid of appearing uneducated. Creative professions are not always clear. My photographer friends, artists, designers are often told that this will pass, that this is nonsense, but when you get married, everything will be normal. Many friends tried to get me a job as a secretary, tutor, translator, although at that time I was already earning decent money and was successful.

I'm lucky to have a very supportive family. My mother collects all my photographs and interviews in a special folder, and my grandmother and aunt call and say: “Your lipstick in the photo is not very good, we will buy you another one.” When I am in Moscow, my mother goes to all my performances. At the last one (this is a burlesque show that I founded) we had a table with mothers: they sat in the front row and looked at us with loving eyes.

I isolated people who consider burlesque something unworthy. Many of my colleagues face misunderstandings. And it is very painful and difficult. But such people just have to watch the show to understand that there is nothing vulgar about it. More precisely, it may be vulgar, but it is conscious, it is a creative choice.

At one time, I listened to a lot of nonsense from strangers who told me that they would forbid their girlfriend to engage in burlesque. I answered: “I’m very sorry for your girlfriend.” I know several artists who... For me, a situation where a boyfriend or husband would not allow me to do something would end in me not having a boyfriend or husband.

Burlesque has more than half a century of history of ignoring patriarchal values

We met my future husband at my show in Switzerland. He came to a burlesque show for the first time, and after the performance he came up to meet him - and turned out to be a very pleasant person. Then he followed me all over Europe, because I’m a wild sparrow, someone comes up to me all the time to get acquainted. But I gave up after a month and a half. Now he goes to shows with me and is friends with my colleagues. We have a whole support group for burlesque husbands. In Russia this is also possible, because love is everywhere.

Burlesque has a long history of fighting patriarchy. In the 50s in America, you could only be a saleswoman, secretary, nurse, or an exemplary wife and mother. And burlesque performers traveled all over the country, earned huge money, slept with whoever they wanted and were completely independent. They lived a wonderful and absolutely impossible life by the standards of that time. In general, burlesque has more than half a century of history of ignoring patriarchal values.

Now I am much happier than before, because I know that you can be yourself, do what you love. I never thought that I would be able to work so hard and devote myself so much to my work. I have become more conscious of who I am friends with. I also became much more principled in communicating with men.

Anya Pavlova - teacher burlesque performer with six years of experience and a unique approach. Combining knowledge of psychology, the history of burlesque, music theory and love for her work, she developed a method of easy developing your own style and self confidence.

Burlesque classes will help you feel more confident in your own beauty, your own femininity and your own strengths, to get rid of the meaningless complexes imposed by society. Your posture and gait will improve (even in the most ambitious heels).

You will learn to listen and hear music and your own body, pay attention to your own good angles and turns of the head, cast languid glances and do not be shy smile. You'll learn about what was considered seductive in the 1920s and 1950s and what ancient statues teach us looks better in photographs. About who invented the dance with fans and huge martini glasses. You will learn easily and move naturally to different music and, of course, take off glove, stocking, coat, ski pants with incredible grace.

Burlesque is femininity and sexuality on its own terms. This is a community of like-minded women who know what they are worth and what they are capable of and understand that beauty and self-confidence do not depend on the size of their clothes, age or the presence of a man in their life. These are hundreds of women around the world who carry their heads high, smile dazzlingly and are not shy about being proud of themselves.

And to professional dancers exotic and pole dance classes in burlesque provide the opportunity to learn languor and elegance and get a new charge of inspiration for new numbers and costumes.

Anya Pavlova hosts regular intensives on burlesque in Moscow and St. Petersburg. You can find out the dates of the next one on her page on VKontakte.

Also available private lessons, where all attention will be directed only to you and your wishes. Classes are available both in person and via Skype.

Are you getting married soon? What about burlesque master class at your bachelorette party? Girls from all over the world spend them this way - in great company and with a glass or two of champagne, discovering the humor and charm of burlesque.

Also starting in April 2019 is an online burlesque marathon, registration will open very soon!